Helen Westgeest
Universitair hoofddocent
- Naam
- Dr. H.F. Westgeest
- Telefoon
- +31 71 527 2744
- h.f.westgeest@hum.leidenuniv.nl
- ORCID iD
- 0000-0001-9882-6182
Helen Westgeest is universitair hoofddocent aan het Leiden University Centre for the Arts in Society.
Meer informatie over Helen Westgeest
Nieuws
Promovendi
Universitair hoofddocent
- Faculteit der Geesteswetenschappen
- Centre for the Arts in Society
- KG Moderne beeldende kunst
- Shobeiri S.A. & Westgeest H.F. (2023), Psychosomatic imagery: photographic reflections on mental disorders. London: Palgrave Macmillan.
- Westgeest H.F. (2023), Photographic visions of mentally disordered perceptual experiences: Disruptions in Zellweger's and Simonutti's psychosomatic imagery. In: Shobeiri S.A. & Westgeest H.F. (red.), Psychosomatic imagery: photographic reflections on mental disorders. London: Palgrave Macmillan. 159-181.
- Westgeest H.F. (2023), Intermedialities as sociopolitical assemblages in contemporary art, Arts 12(4): 170.
- Westgeest H.F. (2023), Fotografie als Kusama's medium om op te gaan in haar oneindige herhalingen. In: Schreuder C. & Visser T. (red.), Yatoi Kusama: de Nederlandse jaren 1965-1970. Rotterdam: nai010 uitgevers. 153-168.
- Westgeest H.F. (2022), Paintings as socio-political model: agonistics in Julie Mehretu's assemblies. In: Ingram S., Minissale G., Vercoe C. & Wynne-Jones V. (red.), The dialogics of contemporary art: painting politics. Berlin: Kerber. 178-192.
- Westgeest H.F. (2021), Agonistic Recipes: Constructive Conflicting Visual Mediation as Socio-Political Model. In: Westgeest H.F. & Zijlmans C.J.M. (red.) Mix & Stir: New Outlooks on Contemporary Art from Global Perspectives. Amsterdam: Valiz. 55-65.
- Westgeest H.F. & Zijlmans C.J.M. (red.) (2021), Mix & Stir: New Outlooks on Contemporary Art from Global Perspectives. Amsterdam: Valiz.
- Westgeest H.F. (2021), "Insufficient projections” in video installation art about skin tone bias: parasitism in Tau Lewis’ flesh-tone mask, ARTis ON 11: 32-41.
- Westgeest H.F. & Augusto R. (2020), Preserving the Performativity of Performance Art While Respecting Ephemerality, Revista Museologia & Interdisciplinaridade 9(18): 75-93.
- Westgeest H.F. (2020), Slow Painting: Contemplation and Critique in the Digital Age. New York: Bloomsbury Academic.
- Westgeest H.F. (2019), Looking at Painting as Watching Slow Video Art: An Intermedial Experience of Disruption in the Work of Corinne Wasmuht, ASAP/Journal 4(3): 553-574.
- Westgeest H.F. (2018), Zen in the Fifties: Interaction in Art between East and West. Taipei: Art&Collection ARTouch.
- Westgeest H.F. (2017), Complementary Sensitive Approaches to Water and Fire: Understanding Henk Peeters’ Works through His Interest in Yves Klein and Gutai. In: Visser T. & Melissen A. (red.), Henk Peeters: From Nul to Zero. Düsseldorf: Zero Foundation. 134-143.
- Westgeest H.F. (2016), Spaces of Transition and Framed Passages in a Sphere of Conflict, Short Film Studies 6(2): 209-212.
- Westgeest H.F. (2016), Interrogating Tele-Visual Mediation through Photogenic Fragments and Obstructions, PhotoResearcher (26): 70-77.
- Westgeest H.F. (2015), The “Slideshow Effect” in Video Art: Akram Zaatari’s On Photography, People and Modern Times, PhotoResearcher 24: 58-65.
- Westgeest H.F. (2015), The Knot and the Warrior as Universal Paradoxes. In: Westgeest H.F., Tajiri G. & Tajiri R. (red.), Shinkichi Tajiri: Universal Paradoxes. Leiden: Leiden University Press. 33-48.
- Westgeest H.F. (2015), The Empty-Full Paradoxes of Dynamic Black and White: Uniting West and East from Tobey's and Reinhardt's Paintings to Paik's Screens. In: Wagner M. & Lethen H. (red.), Schwarz-Weiss als Evidenz: "With black and white you can keep more of a distance". Frankfurt/New York: Campus Verlag. 112-125.
- Westgeest H.F. (2015), Video Art Theory: A Comparative Approach. Malden: Wiley Blackwell.
- Westgeest H.F., Tajiri G. & Tajiri R. (red.) (2015), Shinkichi Tajiri: Universal Paradoxes. Leiden: Leiden University Press.
- Westgeest H.F. (2014), Video Art Theory: A Comparative Approach. Malden: Wiley-Blackwell.
- Westgeest H.F. (2012), Digital Appropriation as Photographic Practice and Theory, Depth of Field 2(2): .
- Westgeest H.F. (2012), Shinkichi Tajiri. Foto’s met een sculpturaal en experimenteel karakter. In: Schoor F. van de (red.), Tajiri Meets Sabine Weiss & Leonard Freed. Nijmegen: Museum Het Valkhof. 23-31.
- Westgeest H.F. (2012), Fotografische historische ervaringen. Het dilemma van het fotograferen van geschiedenis. In: Berghmans T. (red.), Extra XL FoMu Magazine. Antwerpen: Fotomuseum. 72-79.
- Westgeest H.F. (2012), Book review: Jae Emerling. Photography: History and Theory. London: Routledge, 2012; Kathrin Yacavone. Benjamin, Barthes and the Singularity of Photography. London: Continuum, 2012, CAA.reviews (October): .
- Westgeest H.F. (2011), Bridging distances across time and place in photography. In: Vandermeulen B. (red.), Imaging History. Photography after the Fact. Brussel: ASA Publishers. 13-25.
- Westgeest H.F. (2011), Het materiaal van de installatiekunst. In: Westgeest H.F. & et al. (red.), Kunsttechnieken in historisch perspectief. Turnhout: Brepols Publishing. 260-267.
- Westgeest H.F. (2011), Herhalingsstrategieën in het fotografische werk van Idris Khan. In: Houppermans S., Jacobs J. & Kruk R. (red.), Déjà Vu. Herhaling in culturen wereldwijd. Leiden: Leiden University Press. 181-204.
- Westgeest H.F. & Van Gelder H. (2011), Photography Theory in Historical Perspective. Case Studies from Contemporary Art. Malden: Wiley-Blackwell Publishing.
- Westgeest H.F. (red.) (2011), Kunsttechnieken in historisch perspectief. Turnhout: Brepols Publishers.
- Westgeest H.F. (2010), No Meaning, No Composition, No Colour. From Zero to Gutai. In: Visser T. (red.), Gutai. Painting with Time and Space. Cinisello Balsamo: Silvana Editoriale. 121-141.
- Westgeest H.F. (red.) (2010), Making Research Visible to the World. Amstelveen: Canon Foundation in Europe.
- Westgeest H.F. (2010), Visualizing Research and Visual Communication of Research. In: Westgeest H.F. (red.), Making Research Visible to the World. Amstelveen: Canon Foundation in Europe. 9-14.
- Westgeest H.F. (2009), The Concept of Place in Photography in Multimedia Artworks. In: Westgeest H. (red.), Take Place. Photography and Place from Multiple Perspectives. Amsterdam: Valiz. 97-130.
- Westgeest H.F. (red.) (2009), Take Place. Photography and Place from Multiple Perspectives. Amsterdam: Valiz.
- Westgeest H.F. (2009), Photography and Painting in Multi-Mediating Pictures, Visual Studies 24(2): 122-131.
- Gelder H. van & Westgeest H.F. (red.) (2008), Photography between Poetry and Politics. The Critical Position of the Photographic Medium in Contemporary Art. Leuven: Leuven UniversityPress.
- Westgeest H.F. (2008), Complexe relaties tussen lelijk en mooi in moderne en hedendaagse kunst, Frons 28(3): 34-39.
- Westgeest H.F. (2008), The Changeability of Photography in Multimedia Artworks. Gelder H. van & Westgeest H.F. (red.), Photography between Poetry and Politics. The Critical Position of the Photographic Medium in Contemporary Art. . Leuven: Leuven UniversityPress. 3-16.
- Westgeest H.F. (2008), Photographs as Layered Paintings and Places Fraught with Significance. Dragt G. (red.), Walls of India/Muren van India. . Harderwijk: d'jonge Hond. 4-8.
- Westgeest H.F. (2007), The Invisibility of Work. Redefining the Place of Work through Photography. Vroege B. (red.), Work. . Rotterdam: Veenman Publishers. 150-159.
- Westgeest H.F. (2007), The Challenge of Interaction between Photography Practice and Theory. Lehtonen K. & Westphal U. (red.), Work. Comments on Commissions. . Sunderland: International Photography Research Network. 8-12.
- Westgeest H.F. (2007), Mathieu’s tegenstrijdigheden in een foto samengevat. Pronk J. & Ruiter T. de (red.), Foto Voorkeuren. . Antwerpen: Uitgeverij Voetnoot. 192-196.
- Westgeest H.F. (2007), From transparent to hypermedial and homotopias to heterotopias, HTV (Photography) 69: 8-9.
- Westgeest H.F. (2006), De dubbelrollen van de ‘tekening’ in Paolini’s Nesso, Kunstlicht 27(2-3): 26-29.
- Westgeest H.F. (2006), Redefining the Place of Work in Photography and Society. Lehtonen K. (red.), Shifts. Archives in Dialogue and New Identities in Documentarism. . Sunderland: University of Sunderland. 122-124.
- Westgeest H.F. & Coumans A.B. (red.) (2004), The Reflexive Zone. Utrecht: Hogeschool voor de Kunsten.
- Westgeest H.F. (2004), Zwischen Leben und Tod. Ein interkulturelles Gespräch mit Fotografien von Ryuji Miyamoto über Vergänglichkeit. In: Volkenandt C. (red.), Kunstgeschichte und Weltgegenwartskunst. Konzepte - Methoden - Perpektiven. Berlijn: Reimer Verlag. 165-198.
- Westgeest H.F. (2004), Identity and Materiality. In: Westgeest H.F. & Coumans A. (red.), The Reflexive Zone. Utrecht: Hogeschool voor de Kunsten. 188-201.
- Westgeest H.F. (2003), Inleiding, tent.cat. Drijfveren. Armando en de Informelen. . Amersfoort: Armando Museum. 5-12.
- Westgeest H.F. (2002), Energie als Lebensauffassung: Informelle Verbindungen des modernen Westens zu Ostasien. In: , Informel. Begegnung und Wandel. Dortmund: Museum am Ostwall. 275-305.
- Westgeest H.F. (2001), Growth in the History of Modern Art, Growth and Inspiration : .
- Westgeest H.F. (2000), Zen und Nicht-Zen. In: Golinski H.G. (red.), Zen und die westliche Kunst. Köln: Wienand Verlag. 62-110.
- Westgeest H.F. (1999), 'Die Anziehungskraft des Fernen Ostens auf westliche Künstler. Museum Ludwig (red.), tent.cat. Kunstwelten im Dialog. . Köln: Dumont Verlag. 274-279.
- Westgeest H.F. (11 september 1996), Zen in the Fifties. Interaction in Art between East and West (Dissertatie, Leiden University). Zwolle. Promotor(en): Gulik W.R. van & Stokvis W.L.
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