Pepita Hesselberth
Universitair docent
- Naam
- Dr. P. Hesselberth
- Telefoon
- +31 71 527 2202
- p.hesselberth@hum.leidenuniv.nl
- ORCID iD
- 0000-0001-5212-9752
Pepita Hesselberth is universitair docent aan het Leiden University Centre for the Arts in Society.
Universitair docent
- Faculteit der Geesteswetenschappen
- Centre for the Arts in Society
- Literatuurwetenschap
- Bloois J. de & Hesselberth P. (2023), Woestijntijd: Naar een politiek van de afzondering?, 101(Sabotage): 33-39.
- Hesselberth P. (2022), It’s systemic: leaving academia and the politics of withdrawal . In: Flanagan C. & Wright G. (red.), Leaving the grove: a quit lit reader. Syracuse, NY: Syracuse University Press.
- Hesselberth P. (2022), Withdrawal and disconnection in times of quarantine. In: Eliassen K.O., Ogundipe A. & Prytz Ø. (red.) Estetiske praksiser i den digitale produksjonens tidsalder. Bergen, Trondheim etc: Fagbokforlaget. 553-577.
- Hesselberth P. (2021), Detox. In: Veel K., Agostinho D., Ring A. & Thylstrup N.B. (red.), Uncertain Archives: Critical Terms for Big Data. New York: MIT Press. 141-150.
- Hesselberth P. (2021), Retreat culture and therapeutic disconnection. In: Jansson A. & Adams P.C. (red.), Disentangling: the geographies of digital disconnection. Oxford: Oxford University Press. 253-272.
- Hesselberth P. & Bloois J. de (2021), Een politiek van de afzondering [Politics of withdrawal] (vertaling Bloois J. de & Hesselberth P.), Vooys: tijdschrift voor letteren 39(1): 18-27.
- Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (2020), Automation, representation, and the question concerning the legibility of the image/machine today. Plaitano G., Venturini S. & Villa P. (red.), Moving pictures, living machines: automation, animation and the imitation of life in cinema and media. XXVI Udine International Film Studies Conference 21 maart 2019 - 23 maart 2019. Udine: Mimesis International . 233-238.
- Hesselberth P. (2020), Creative Control: Digital Labour, Superimposition, Datafication, and the Image of Uncertainty. In: Ekman U., Agostinho D., Bonde Thylstrup N. & Veel K. (red.), The Uncertain Image. London and New York: Routledge. 78-93.
- Hesselberth P. & Bloois J. de (2020), Introduction: towards a politics of withdrawal?. In: Hesselberth P. & Bloois J. de (red.), Politics of withdrawal: media, art, theory. Lanham: Rowman & Littlefield. 1-12.
- Hesselberth P. (2020), On leaving academia and the need to take refuge. In: Hesselberth P. & Bloois J. de (red.), Politics of withdrawal: media, art, theory. Lanham: Rowman & Littlefield. 147-160.
- Hesselberth P. & Bloois J. de (red.) (2020), Politics of Withdrawal: Media, Art, Theory. Lanham, MA: Rowman & Littlefield.
- Hesselberth P. (2019), The Grid as Structuring Paradox: A Case of Tiny Living, Soapbox 1(2): 119-138.
- Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (2018), Introduction: legibility in the age of signs and machines. In: Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (red.), Legibility in the age of signs and machines. Thamyris/Intersecting: Place, Sex and Race nr. 33. Leiden: Brill. 1-17.
- Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (red.) (2018), Legibility in the Age of Signs and Machines. Thamyris/Intersecting: Place, Sex and Race nr. 33. Leiden: Brill.
- Dirckinck-Holmfeld K. & Hesselberth P. (2018), Ledgers and legibility: a conversation on the significance of noise within digital colonial archives. In: Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (red.), Legibility in the age of signs and machines. Thamyris/Intersecting: Place, Sex and Race nr. 33. Leiden: Brill. 243-261.
- Hesselberth P. (2018), Connect, Disconnect, Reconnect: Historicizing the Current Gesture towards Disconnectivity, from the Plug-in Drug to the Digital Detox, Cinema&Cie: International Film Studies Journal 30(XVII): 105-114.
- Hesselberth P. & Hind S. (25 februari 2017), On Disconnection (interview). Out of Data - Centre for Interdiscipinary Methodologies (CIM). Warwick: University of Warwick. [blog].
- Hesselberth P. (2017), Creative control: digital labour, superimposition, datafication, and the image of uncertainty, Digital Creativity 28(4): 332-347.
- Hesselberth P. & Poulaki M. (red.) (2017), Compact Cinematics: The Moving Image in the Age of Bit-Sized Media. New York and London: Bloomsbury.
- Hesselberth P. (2017), Discourses on Disconnectivity and the Right to Disconnect, New Media & Society 20(5): 1994-2010.
- Hesselberth P. & Horsman Y. (2017), Affect. In: Bloois J. de, Cauwer S. de & Masschelein A. (red.), 50 Key Terms in Contemporary Cultural Theory. Antwerpen: Pelckmans Pro. 29-34.
- Horsman Y. & Hesselberth P. (2017), Posthumanism. In: Bloois J. de, Cauwer S. de & Masschelein A. (red.), 50 Key Terms in Contemporary Cultural Theory. Antwerpen: Pelckmans Pro. 252-256.
- Hesselberth P. & Poulaki M. (2017), Introduction: Screen | Capture | Attention. In: Hesselberth P. & Poulaki M. (red.), Compact Cinematics: The Moving Image in the Age of Bit-Sized Media. New York and London: Bloomsbury. 1-18.
- Hesselberth P. & Poulaki M. (2016), Compact Cinematics, NECSUS: European Journal of Media Studies Spring: .
- Hesselberth P. (2016), Productive Failure in a Machine Centric Universe, Short Film Studies 6(2): 213-217.
- Hesselberth P. & Roos C.M. (red.) (2015), Special Issue: Short Film Experience. Empedocles: European Journal for the Philosophy of Communication.
- Hesselberth P. & Roos C.M. (2015), Short Film Experience: Introduction, Empedocles: European Journal for the Philosophy of Communication 5(1&2): 3-12.
- Hesselberth Pepita (1 mei 2015), Op Een Doodgewone Doordeweekse Dag: 52 Tuesdays.
- Hesselberth P. (2014), Cinematic Chronotopes: Here, Now, Me. New York, London: Bloomsbury Academic.
- Hesselberth P. (2013), Between Infinity and Ubiquity: Perspectives in/on Rafael Lozano-Hemmer’s Body Movies, Continuum: Journal of Media & Cultural Studies 27(4): 585-599.
- Hesselberth P. (2012), From Subject-Effect to Presence-Effect: A Deictic Approach to the Cinematic, NECSUS: European Journal of Media Studies 1(2): 241–267.
- Hesselberth P. (11 november 2012), Cinematic Chronotopes: Affective Encounters in Space-Time. Dissertation (Dissertatie. Amsterdam School for Cultural Analysis (ASCA), FGW, University of Amsterdam). Amsterdam: In eigen beheer. Promotor(en): Elsaesser T.E. & Ekman U.
- Hesselberth P. (1 februari 2011), Too Close and Not Yet: Touching Boundaries. De Filmkrant.
- Hesselberth P. (1 januari 2011), Zijn is Gezien Worden: Over Surveillance en Film naar aanleiding van de tentoonstelling Exposed: Voyeurism, Surveillance and the Camera in Tate Modern. De Filmkrant: 30.
- Hesselberth P. (2010), Handheld Aesthetics: Time-affect and Home Video Narration. In: Casetti F., Gaines J. & Re V. (red.), Dall’inizio, alla fine. Teorie del cinema in prospettiva/ In the Very Beginning, at the Very End. Film Theories in Perspective. Udine: Forum.
- Hesselberth P. & Schuster L. (2008), Into the Mind and Out to the World: Memory Anxiety in the Mind-Game Film. In: Kooijman J., Pisters P. & Strauven W. (red.), Mind the Screen: Media Concepts According to Thomas Elsaesser. Amsterdam: Amsterdam University Press.
- Hesselberth P. (2008), It’s about Time (Or Is It?) Warhol anno 2007, Apertúra III(4, Summer 2008): .
- Hesselberth P. (17 april 2005), A Work of Art is a Promise of Hope: A Report on the 4nd Viennale. Senses of Cinema.
- Hesselberth P. (2000), Wat niet weet deert wèl: Samenzweringsparanoia in de hedendaagse media. In: Elsaesser T. & Hesselberth P. (red.), Hollywood op Straat. FIlm en Televisie in de Hedendaagse Media Cultuur. Amsterdam: Vossius Pers/Amsterdam Univsersity Press.
- Elsaesser T. & Hesselberth P. (red.) (2000), Hollywood op Straat. Film en Televisie in de Hedendaagse Media Cultuur. Amsterdam: Vossius Pers/Amsterdam Univsersity Press.