Pepita Hesselberth
Universitair Docent
- Naam
- Dr. P. Hesselberth
- Telefoon
- +31 71 527 2202
- p.hesselberth@hum.leidenuniv.nl
- ORCID iD
- 0000-0001-5212-9752
Pepita Hesselberth is universitair docent aan het Leiden University Centre for the Arts in Society.
Universitair Docent
- Faculteit der Geesteswetenschappen
- Centre for the Arts in Society
- Literatuurwetenschap
- Hesselberth P. (2021), Detox. In: Veel, K.; Agostinho, D.; Ring, A.; Thylstrup, N.B. (red.) Uncertain Archives: Critical Terms for Big Data. New York: MIT Press.
- Hesselberth P. (2020), Creative Control: Digital Labour, Superimposition, Datafication, and the Image of Uncertainty. In: Ekman, U.; Agostinho, D.; Bonde Thylstrup, N.; Veel, K. (red.) The Uncertain Image. London and New York: Routledge. 78-93.
- Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (2020), Automation, Representation, and the Question concerning the Legibility of the Image/ Machine Today. In: Plaitano G., Venturini S., Villa P. (red.) Moving Pictures, Living Machines. Automation, Animation and the Imitation of Life in Cinema and Media. Milano-Udine: Mimesis International . 233-239.
- Hesselberth P. & Bloois J. de (2020), Introduction: Towards a Politics of Withdrawal?. In: Hesselberth, P.; Bloois, J. de (red.) Politics of Withdrawal: Media, Art, Theory. Lanham, MA: Rowman & Littlefield. 1-12.
- Hesselberth P. (2020), On Leaving Academia and the Need to Take Refuge. In: Hesselberth, P.; Bloois, J. de (red.) Politics of Withdrawal: Media, Art, Theory. Lanham, MA: Rowman & Littlefield. 147-160.
- Hesselberth P. & Bloois J. de (red.) (2020), Politics of Withdrawal: Media, Art, Theory. Lanham, MA: Rowman & Littlefield.
- Hesselberth P. (2019), The Grid as Structuring Paradox: A Case of Tiny Living, Soapbox 1(2): 119-138.
- Hesselberth P. (2018), Connect, Disconnect, Reconnect: Historicizing the Current Gesture towards Disconnectivity, from the Plug-in Drug to the Digital Detox, Cinema&Cie: INternational Film Studies Journal 30(XVII): 105-114.
- Hulsen & S. (2 november 2018), Zo zorg je ervoor dat je minder op je smartphone kijkt. Geïnterviewd door Stan Hulsen(NU.nl - NUweekend) [interview].
- Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (2018), Introduction: Legibility in the Age of Signs and Machines. In: Hesselberth P., Houwen J.J.M., Peeren E., Vos R. de (red.) Legibility in the Age of Signs and Machines. Thamyris/Intersecting: Place, Sex and Race nr. 33 Leiden: Brill. 1-17.
- Dirckinck-Holmfeld K. & Hesselberth P. (2018), Ledgers and Legibility: A Conversation on the Significance of Noise within Digital Colonial Archives. In: Hesselberth P., Houwen J.J.M., Peeren E., Vos R. de (red.) Legibility in the Age of Signs and Machines. Thamyris/Intersecting: Place, Sex and Race nr. 33 Leiden: Brill. 243-261.
- Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (red.) (2018), Legibility in the Age of Signs and Machines Thamyris/Intersecting: Place, Sex and Race nr. 33. Leiden: Brill.
- Hesselberth P. (2017), Creative Control: Digital Labour, Superimposition, Datafication, and the Image of Uncertainty, Digital Creativity 28(4): 332-347.
- Hesselberth P. (2017), Discourses on Disconnectivity and the Right to Disconnect, New Media & Society 20(5): 1994-2010.
- Hesselberth P. (27 februari 2017), On DIsconnection. Geïnterviewd door Sam Hind for Out of Data [interview].
- Hesselberth P. & Hind S. (25 februari 2017), On Disconnection (interview). Out of Data - Centre for Interdiscipinary Methodologies (CIM). Warwick: University of Warwick [blog entry].
- Hesselberth P. & Horsman Y. (2017), Affect. In: Bloois J. de, Cauwer S. de, Masschelein A. (red.) 50 Key Terms in Contemporary Cultural Theory. Antwerpen: Pelckmans Pro. 29-34.
- Hesselberth P. & Poulaki M. (red.) (2017), Compact Cinematics: The Moving Image in the Age of Bit-Sized Media. New York and London: Bloomsbury.
- Hesselberth P. & Poulaki M. (2017), Introduction: Screen | Capture | Attention. In: Hesselberth P., Poulaki M. (red.) Compact Cinematics: The Moving Image in the Age of Bit-Sized Media. New York and London: Bloomsbury. 1-18.
- Horsman Y. & Hesselberth P. (2017), Posthumanism. In: Bloois J. de, Cauwer S. de, Masschelein A. (red.) 50 Key Terms in Contemporary Cultural Theory. Antwerpen: Pelckmans Pro. 252-256.
- Hesselberth P. & Poulaki M. (2016), Compact Cinematics, NECSUS: European Journal of Media Studies Spring.
- Hesselberth P. (2016), Productive Failure in a Machine Centric Universe, Short Film Studies 6(2): 213-217.
- Hesselberth Pepita (1 mei 2015), Op Een Doodgewone Doordeweekse Dag: 52 Tuesdays.
- Hesselberth P. & Roos C.M. (2015), Short Film Experience: Introduction, Empedocles: European Journal for the Philosophy of Communication 5(1&2): 3-12.
- Hesselberth P. & Roos C.M. (Guest Editor) (2015), Special Issue: Short Film Experience Redactielid Empedocles: European Journal for the Philosophy of Communication 5(1&2).
- Hesselberth P. (2014), Cinematic Chronotopes: Here, Now, Me. New York, London: Bloomsbury Academic.
- Hesselberth P. (2013), Between Infinity and Ubiquity: Perspectives in/on Rafael Lozano-Hemmer’s Body Movies, Continuum: Journal of Media & Cultural Studies 27(4): 585-599.
- Hesselberth P. (2012), From Subject-Effect to Presence-Effect: A Deictic Approach to the Cinematic, NECSUS: European Journal of Media Studies 1(2): 241–267.
- Hesselberth P. (2012), Cinematic Chronotopes: Affective Encounters in Space-Time. Dissertation (Dissertatie). Amsterdam: In eigen beheer. Promotor(en) en Copromotor(en):Elsaesser T.E., Ekman U.
- Hesselberth P. (1 februari 2011), Too Close and Not Yet: Touching Boundaries. De Filmkrant.
- Hesselberth P. (1 januari 2011), Zijn is Gezien Worden: Over Surveillance en Film naar aanleiding van de tentoonstelling Exposed: Voyeurism, Surveillance and the Camera in Tate Modern. De Filmkrant: 30.
- Hesselberth P. (2010), Handheld Aesthetics: Time-affect and Home Video Narration. In: Casetti F., Gaines J., Re V. (red.) Dall’inizio, alla fine. Teorie del cinema in prospettiva/ In the Very Beginning, at the Very End. Film Theories in Perspective. Udine: Forum.
- Hesselberth P. & Schuster L. (2008), Into the Mind and Out to the World: Memory Anxiety in the Mind-Game Film. In: Kooijman J., Pisters P., Strauven W. (red.) Mind the Screen: Media Concepts According to Thomas Elsaesser. Amsterdam: Amsterdam University Press.
- Hesselberth P. (2008), It’s about Time (Or Is It?) Warhol anno 2007, Apertúra III(4, Summer 2008).
- Hesselberth P. (17 april 2005), A Work of Art is a Promise of Hope: A Report on the 4nd Viennale. Senses of Cinema.
- Elsaesser T. & Hesselberth P. (red.) (2000), Hollywood op Straat. Film en Televisie in de Hedendaagse Media Cultuur. Amsterdam: Vossius Pers/Amsterdam Univsersity Press.
- Hesselberth P. (2000), Wat niet weet deert wèl: Samenzweringsparanoia in de hedendaagse media. In: Elsaesser T., Hesselberth P. (red.) Hollywood op Straat. FIlm en Televisie in de Hedendaagse Media Cultuur. Amsterdam: Vossius Pers/Amsterdam Univsersity Press.
- Expert FWO Review College Fundamental Research