Mathijs Peters
Universitair docent
- Naam
- Dr. M.A. Peters
- Telefoon
- +31 71 527 2176
- m.a.peters@hum.leidenuniv.nl
- ORCID iD
- 0000-0003-0375-0002
Mathijs Peters is universitair docent bij het Leiden University Centre for the Arts in Society.
Meer informatie over Mathijs Peters
Universitair docent
- Faculteit der Geesteswetenschappen
- Centre for the Arts in Society
- Literatuurwetenschap
- Peters M.A. & Horsman Y. (2024), Co-Mix, Re-Mix: A conversation between comics scholars Yasco Horsman and Mathijs Peters. In: Hengel G. van & Purtić I. (red.), Remix Comix. Novi Sad: LED-Art. 116-119.
- Peters M.A. (2024), Fighting against the Dying of the Present: On Nostalgia, Resonance, and Edgar Reitz’s Heimat. In: Liere L. van den & Sremac S. (red.), Trauma and Nostalgia: Practices in Memory and Identity. Heritage and Memory Studies nr. 24. Amsterdam: Amsterdam University Press. 153-178.
- Peters M.A. (2023), Subverting the restorative nostalgia of black metal: reading Swiss band Zeal & Ardor through an Afropessimistic lens, Popular Music and Society 46(5): 466-484.
- Peters M.A. (2023), Zeal & Ardor's antiracist Nietzschean Götterdämmerung, PopMatters : .
- Peters M.A. (2023), Ways to salvation: on Schopenhauer’s theory of self-negation and salvation. In: Bather Woods D. & Stoll T. (red.), The schopenhauerian mind. Routledge Philosophical Minds. London: Routledge. 311-324.
- Peters M.A. & Majid B. (2022), Exploring Hartmut Rosa's Concept of Resonance. London: Springer International Publishing.
- Peters M.A. (2021), Space Dogs: A haunted story of cruelty and compassion, Film International 19(1): 70-76.
- Peters M.A. (2021) Op de vuist: een aanstekelijk overzicht van vijftig jaar protestliedjes waar wel iets meer muziek in had mogen zitten. Bespreking van: Laurens Ham, Op de vuist: Vijftig jaar politiek en protestliedjes. Vooys: tijdschrift voor letteren 39(3): 73-77.
- Peters M.A. (2021), Orwellian Times: On Manic Street Preachers’ ‘The Ultra Vivid Lament’’, PopMatters : .
- Peters M.A. (2020), Popular Music, Critique and Manic Street Preachers. London: Palgrave Macmillan.
- Peters M.A. (2020), Reification and the Duty to Work Through the Past: On Critical Theory and Temporality, New German Critique 47(2): 107-138.
- Peters M.A. & Majid B. (2020), Re-Enacting History: The colonial gaze of Francis Alÿs’ film Sandline, Film International 18(4): 29-45.
- Peters M.A. (2020), On IDLES' Danceable Relatable Battle Hymns, popmatters.
- Peters M.A. (2017), ‘‘How Much Truth Can a Spirit Endure?’ – A Nietzschean Perspective on the Posthumous Intellectual Legacy of Manic Street Preachers’ Lyricist Richey Edwards, Rhizomes : Cultural Studies in Emerging Knowledge 31: .
- Peters M.A. (2016), The One Truly Philosophical Problem: Arthur Schopenhauer, Leo Tolstoy and Albert Camus on the Question of Suicide, The Journal of Camus Studies : .
- Peters M.A. (2016), Erich Fromm on Resonance and Alienation, Fromm Forum 20: 24-34.
- Peters M.A. (2015), Adorno Meets Welsh Alternative Rock Band Manic Street Preachers: Three Proposed Critical Models, Journal of Popular Culture 48(6): 1346-1373.
- Peters M.A. (2015), Between Alienation and Resonance: Atomization and embedment from Schopenhauer to Camus, from Hegel to Honneth, and from Thoreau to Houellebecq, Working Paper der DFG - KollegforscherInnengruppe Postwachstumsgesellschaften 4: 1-117.
- Peters M.A. (2015), "The Zone of the Carcass and the Knacker": On Adorno's Concern with the Suffering Body. In: Hammer E. (red.) Theodor W, Adorno II. Critical Assessments of Leading Philosophers nr. 2 London: Routledge.
- Peters M.A. (2014), Schopenhauer and Adorno on Bodily Suffering: A Comparative Analysis: Palgrave-Macmillan.
- Peters M.A. (2014), A Giant Gutter in outer Space: On the Schopenhauerian Themes in HBO’s television series True Detective, Film International : .
- Peters M.A. (2013), ‘The Zone of the Carcass and the Knacker’ – On Adorno’s Concern with the Suffering Body, European Journal of Philosophy 23(4): 1238-1258.
- Peters M.A. (2013), Will and Flesh: Schopenhauer and Merleau-Ponty on Corporeality, Schopenhauer-Jahrbuch 94: 91-114.