Julian Ross
Universitair docent
- Naam
- Dr. J.A. Ross
- Telefoon
- +31 71 527 2358
- j.a.ross@hum.leidenuniv.nl
Julian Ross is een Universitair Docent bij het Leiden University Centre for the Arts in Society.
Meer informatie over Julian Ross
Universitair docent
- Faculteit der Geesteswetenschappen
- Centre for the Arts in Society
- Literatuurwetenschap
- Ross J. (2024), Mismatch. In: Towada Art Center (red.), Yu Araki - LONELY PLANETS. Tokyo: Film Art Sha. 112-123.
- Ross J.A. (2023), IDFA 2022: Locating the Real, Film Comment : .
- Ingawaij M.A. Ross J.A. (2023), Animistic Apparatus: A Gathering, World Records 7: 113-123.
- Vetter D., Palmer P. & Ross J.A. (2023), Translated: revolution, more or less: an interview with Masao Adachi, Woche der Kritik 2023: .
- Ross J.A. (2023), Bespreking van: Neves J. & Sarkar B., Asian Video Cultures. BioScope: South Asian Screen Studies 14(1): 110-112.
- Hasanbegović F. Ross J.A. Zachariades C. 7 december 2023, IDFA 2023 Recap : Corresponding Cinemas’ Refusal to Comply. Docs in orbit 72 [podcast].
- Ross J.A. 21 november 2023, Julian Ross on new nonfiction at IDFA. The last thing I saw 213 [podcast].
- Ross J.A. (2023), Ryusuke Hamaguchi on how cars stroke the city, Extra Extra (21): 60-80.
- Ross J.A. (2023), Intermediality and the carousel slide projector. In: Nagib L. & Solomon S. (red.), The moving form of film: Oxford University Press. 65-80.
- Ross J.A. (2023), 51: mouth to mouth, Sight & Sound 33(3): 41.
- Su H. & Ross J.A. 26 januari 2023, 1646 Podcast #11 | Su Hui-Yu in conversation with Julian Ross. 1646 Podcast. 1646 Experimental Art Space [podcast].
- Lu P., Ross J.A. & Wang B. (2023), Faraway, so close!: A journey through Germany, Notebook (3): 78-87.
- Strathaus S.S., Ziemons U. & Ross J.A. 8 februari 2023, Time tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973. Arsenal: Institut für Film und Videokunst e.V. [podcast].
- Rapold N. Ross J.A. 24 november 2022, Ep.148: IDFA #2 with Julian Ross: Manifesto, Documentary on Stage, and more. The Last Thing I Saw [podcast].
- Ross J. (4 juli 2022), Land Marks: Fantomas. [webartikel].
- Ross J.A. (2022), Rebellion of the Body: Hijikata Tatsumi, Performance Documentation and Japanese Experimental Film. In: Windhausen F. (red.), A Companion to Experimental Cinema. New Jersey: Wiley-Blackwell. 307-324.
- Ross J.A. (2022), Screen Time: Takahiko Iimura (1937-2022), Film Comment : .
- Bloom E., Emmerzael H., Mechanicus K. & Ross J.A. 19 september 2021, What is expanded Japanese cinema (with Julian Ross). Celebrating Cinema. LAB 111 [podcast].
- Leeuw I. de & Ross J.A. (2021), Polyvocality as Resistance.
- Ross J.A. (16 september 2020), Killer Joe’s: 1960s Japanese Expanded Cinema in Discotheques. Brooklyn, NY, USA: Pioneer Works (Broadcast). [webartikel].
- Ross J.A. & Voelcker B. (2020), There is no conclusion to this assembly: a conversation about Koki Tanaka, Non-Fiction (2): 12-17.
- Ross J.A. & Rizaldi R. (10 november 2020), 'Riar Rizaldi "Kasiterit"': Vdrome. [webartikel].
- Ross J.A. (2020), 'From Tomorrow on, I Will'. Frames of Representation.
- Fleischmann P., Fränzen B., Meden J., Menegon M., Milovanovic M., Jansen W., Pelzer W., Ross J.A. & Young N. (29 mei 2020), 'Notes on Film' (Vienna Shorts). [webartikel].
- Ross J.A. (2020), Funeral Parade of Roses, Sight & Sound (Summer): 30-31.
- Ross J.A (2020), Situating intermedia and expanded cinema in 1960s Japan. In: Adachi-Tasch A., Hirasawa G. & Ross J.A. (red.), Japanese Expanded Cinema and Intermedia: Critical Texts of the 1960s. Berlin, Germany: Archive Books. 11-32.
- Ross J.A. (2020), Experimental film: forms, spaces and networks: a history of Japanese experimental film. In: Fujiki H. & Phillips A. (red.), The Japanese Cinema Book: The British Film Institute. 192-202.
- Go Hirasawa, Ross J.A. & Adachi-Tasch Ann (red.) (2020), Japanese Expanded Cinema and Intermedia: Critical Texts of the 1960s. Berlin, Germany: Archive Books.
- Cavoulacos S., Dinçel N., Ferm M., Lampert A., López A.E., Porterfield M., Ross J.A. & Szlam M. (2019), Seven Ways to Re-View a Film History, MoMA Magazine : .
- Ross J.A. (2019), America, America, America: Japanese artists in the United States in the Sixties and Seventies. In: Jhaveri S. (red.), America: Films from Elsewhere: The Shoestring Publisher. 424-439.
- Ross J.A. (2019), Landscape, video and the Anthropocene: Interview with Lukas Marxt. In: Slanar C. (red.), Lukas Marxt: From Light to Cold. Vienna: VfmK Verlag für moderne Kunst. 99-112.
- Ross J.A. (2018), Japanese Artists' Film in 1968-69. In: Reichardt J. (red.), Fluorescent Chrysanthemum Remembered. Gdansk: Laznia Center for Contemporary Art. 58-60.
- Ross J.A. & Stojković Jelena (2018), Performance in Print: Channeling Tōmatsu Shōmei’s NO.541, Photography & Culture 11(2): 181-196.
- Dornieden A., Monroy J.D.G. & Ross J.A. (2018), (Reopening) the Open Frame. In: Greenfield L., Philips D.S., Schroedinger K., Speidel B. & Widmann P. (red.), Film in the Present Tense: Why can't we stop talking about analogue film?. Berlin: Archive Books. 111-112.
- Chulphongsathorn G., Clang J., Dinçel N., Hilmandi D., Hope S., Jhaveri S., Khanna S., Liu S., Makhmalbaf M., Muller N., Nasiri H., Ortiz D., Ross J.A., Sawa H., Shitamichi M., Tafakory M. & Zakeri B. (red.) (2018), In & Out. Nang. Bristol: Intellect.
- Hirasawa G. (2017), Politics, the Street, and the Expansion into Everyday Life [政治、街頭、あるいは日常への拡張] (vertaling Ross J.A.). In: Endo M., Kurokawa N. & Tasaka H. (red.), Japanese Expanded Cinema RevisitedMiyuki Endo, Noriyuki Kurokawa and Mayuki Endo. Tokyo: Tokyo Photographic Art Museum. 138-148.
- Ross J.A. (2017), Explorers of Boundaries: 1960-70s Expanded Cinema in Japan. In: Endo M., Kurokawa N. & Tasaka H. (red.), Japanese Expanded Cinema Revisited. Tokyo: Tokyo Photographic Art Museum. 149-164.
- Kawamura E. (2016), Etsuko Kawamura: Just Another Season [川村悦子−ありふれた季節] (vertaling Ross J.A.). Nishinomiya: Otani Memorial Art Museum, Nishinomiya City.
- Ross J.A. (2016), パフォーマンスとしてのエクスパンデッド・シネマ. In: Nishimura T. & Kaneko Y. (red.), アメリカン・アヴァンギャルド・ムーヴィ. Tokyo: Shinwa-sha. 161-182.
- Ross J.A. (2016), Curating Problems for Expanded Cinema. In: Noble F., Ferreboeuf R. & Plunkett T. (red.), Preserveation, Radicalism and the Avant-Garde Canon. London: Palgrave McMillan. 35-49.
- Ross J.A. (2015), Geologic Time, the Anthropocene and Earthquake Sensitivities: Interview with Kodwo Eshun. In: Belina M. (red.), The Geologic Imagination. Amsterdam: Sonic Acts. 53-63.
- Oshima N. (2015), Two short essays on Angelopoulos' early films [Two Short Essays on Angelopoulos’ Early Films] (vertaling Ross J.A.). In: Koutsourakis A. & Steven M. (red.), The Cinema of Theo Angelopoulos. Edinburgh: Edinburgh University Press. 39-44.
- Ross J.A. (2015), In The Realm of the Senses. In: Haenni S., Barrow S. & White J. (red.), Routledge Encyclopedia of Films. London and New York: Routledge. 21-24.
- Ross J.A. (2015), "An infant with four breasts?" Slide Projections in Postwar Japanese Art, PhotoResearcher (24): 32-37.
- Ross J.A. (2015), Yoko Ono, Sight & Sound (July): 54-55.
- Ross J.A. (2015), Ethics of the Landscape Shot: A.K.A Serial Killer and James Benning's portrait of criminals. In: Jorge N.B. & Luca T. de (red.), Slow Cinema. Edinburgh: Edinburgh University Press. 261-272.
- Iimura T., Ishizaki K., Obayashi N., Sato J. & Richie D. (2014), Film Independents Manifesto [フィルム・アンデパンダン宣言] (vertaling Ross J.A.). In: MacKenzie S. (red.), Film Manifestos and Global Cinema Cultures: A Critical Anthology. Berkeley: University of California Press. 70-72.
- Ross J.A. (2014), 映画における直接行動. In: Takeda S. (red.), 赤瀬川原平. Tokyo: Kawade Shobo Shinsha. 225-233.
- Ross J.A. (2014), 『もうヨーロッパには何も期待したくていいんだ』日本の非商業映画・実験映画ヨーロッパ公開史, 言語文化 (31): 44-65.
- Toscano A. & Hirasawa G. (2013), Walls of Flesh: The Films of Koji Wakamatsu (1965–1972) [Walls of Flesh: The Films of Koji Wakamatsu (1965–1972)] (vertaling Ross J.A.), Film Quarterly 66(4): 41-49.
- Ross J.A. (2013), Projection as Performance: The Degrees of Intermediality in Japan's Expanded Cinema of the 1960s and 1970s. In: Jerslev A. & Nagib L. (red.), Impure Cinema: Intermedial and Intercultural Approaches to Film. London and New York: I.B. Tauris. 249-267.
- Ross J.A. (2012), Site and Specificity in Japanese Expanded Cinema: Intermedia and is Development in the late-60s, Décadrages 21-22: 81-95.
- Wakamatsu K. (2012), Masao Adachi, kamaitachi [足立正生、 鎌鼬] (vertaling Ross J.A.). In: Hirasawa G. (red.), Masao Adachi. Mexico: Universidad nacional Autonoma de Mexico. 205-206.
- Ross J.A. (2012), Guest Editor's Intro, Journal of Japanese and Korean Cinema 3: 3-4.