Ksenia Fedorova
Universitair docent
- Naam
- Dr. K. Fedorova
- Telefoon
- 071 5272952
- k.fedorova@hum.leidenuniv.nl
- ORCID iD
- 0000-0002-7786-9930
Ksenia's onderzoeksinteresses omvatten media- en mediakunsttheorie en -geschiedenis, esthetiek, filosofie, wetenschap en technologie en cultuurstudies, met een specifieke focus op de effecten van nieuwe technologieën op menselijke perceptie en interactie.
Meer informatie over Ksenia Fedorova
Promovendi
Universitair docent
- Faculteit der Geesteswetenschappen
- Leiden University Centre for Arts in Society
- Fedorova K. (2024), Aesthetics of the ‘Homunculus’ of science: artistic approach to physiological research in 'New Anthropology'. In: Fehrenbach F., Isengard L., Micheluzzi G.M. & Zumbusch C. (red.), Wahrnehmungskräfte – Kräfte wahrnehmen: Dynamiken der Sinne in Wissenschaft, Kunst und Literatur. Berlin: De Gruyter. 167-193.
- Fedorova K. (2023), Figuring thought: between experience and abstraction. In: Besser S. & Lysen F. (red.), Worlding the brain: neurocentrism, cognition and the challenge of the arts and humanities. Experimental Practices nr. 3: Brill. 215-233.
- Fedorova K. (2020), Tactics of Interfacing: Encoding Affect in Art and Technology. Leonardo: MIT Press.
- Fedorova K. (2020), Towards a media ecology of sense acts. In: Somhegyi Z. & Ryynänen M. (red.), Aesthetics in Dialogue: Applying Philosophy of Art in a Global World. Berlin: Peter Lang Verlag. 251-260.
- Fedorova K. & Demidova E. (2020), Qualia formation through sensory substitution in artistic laboratories in Russia, Why Sentience? Proceedings of the 26th International Symposium of Electronic Art (ISEA) 2020. "Why Sentience?", International Symposium on Electronic Art (ISEA) 13 oktober 2020 - 18 oktober 2020 185-191.
- Fedorova K. (2019), Neurointerfaces, mental imagery and sensory translation in art and science in the digital age. In: Grønstad A. & Vågnes Ø. (red.), Invisibility in Visual and Material Culture: Palgrave Macmillan. 91-109.
- Anoniem (2018), Mission to Earth: terrestrial proprioception and the cyber-sublime [Special issue: Technology and the Sublime, ed. by Giulia Rispoli and Christoph Rosol] (vertaling Fedorova K. & Barasch M.), Azimuth 6(12): 93-112.
- Fedorova K. (2017), The Ambiguity Effects of the Techno-Sublime. In: Trifonova T. (red.), Contemporary Visual Culture and the Sublime. London, New York: Routledge. 142-152.
- Fedorova K. (2016), Plasticity and feedback. Schemas of indetermination in cybernetics and art. Leino O.T. (red.), ISEA 2016 Hong Kong Cutural Revolution. Proceedings of the 22nd International Symposium of Electronic Art (ISEA),. The 22nd International Symposium of Electronic Art (ISEA) 16 mei 2016 - 22 mei 2016. Hong Kong: School of Creative Media, City University of Hong Kong. 51-58.
- Fedorova K. (2016), Sound cartographies. In search of the sublime, Leonardo Electronic Almanac 21(1): 44-59.
- Fedorova K. (2016), Transmediality, Transliteracy, Transduction and the Aesthetics of the Technological Sublime, Acoustic Space 15: 118-128.
- Sosna N. & Fedorova K. (red.) (2014), Media: Between Magic and Technology. Moscow, Ekaterinburg: Armchair Scientist Press.
- Fedorova K. (red.) (2011), Art focus for technologies: charm and challenge. Ekaterinburg: National Center for Contemporary Art.