Universiteit Leiden

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Academy of Creative and Performing Arts (ACPA)

ARC (art_research_convergence)

ARC (art_research_convergence) is an outreach initiative of Leiden University Academy of Creative and Performing Arts, and the University of the Arts The Hague, for the active communication of artistic research.

What is ARC?

ARC hosts exhibitions, installations, lectures and performances every second Tuesday of the month. The idea is to enable a space of communication and action where artist-researchers can show work in progress (or finished work in need of feedback) and discuss it with the audience.
ARC plays a connective role in the network of artistic and investigative practices. It strengthens the knowledge infrastructure in the dynamic field of practice-based research as well as brings it into the public eye. In doing so, it contributes to the knowledge economy in the region.
This project acts as a forum or laboratory, in which artist-researchers work together with other cultural players on new works, designs and performance practices.


DETAILS

  • What? Performances, exhibitions, installations, lectures and other formats suitable for the communication of artistic research
  • Who? Artist-researchers, including graduate students, doctoral candidates and lecturers at artistic research institutions as well as independent artists who regard and represent their work as research
  • For whom? General audience interested in the relationship between art and research, artists, researchers and students whose field has to do with artistic and/or research practices
  • When? 12 January, 9 February, 9 March, 13 April, 11 May and 8 June, starting at 19:30.

Where? Studio Loos, De Constant Rebecqueplein 20B, 2518 RA, The Hague/ Korzo Theater, Prinsestraat 42, 2513 CE, The Hague OR online (depending on the covid-19 situation).

Programme 2021


13 April 2021

Musicians Playing With Computers | Musicians Interacting With The World 
(online event via Zoom, moderated by Ilya Ziblat)

The use of technology in music encompasses different practices: live coding, gestural software instruments, live-electronics interfaces, AI and machine learning, etc. However, the different ways in which musicians make sound using their computers reflect not only the relationship between humans and technology, but also a broader and more universal relationship – between humans and the world surrounding them.
 
How do music technologists design tools in order to address the potential needs of a future performance situation? How do they address questions concerning technology and human behaviour or perception? How do they choose to digitally document and study the world around them, and to use computer instruments as a critical tool to retheorize political, cultural, and social issues?
 
Presentations and a moderated discussion, featuring:
 
Dr. Jenn Kirby (University of the West of Scotland)
* Live Electronics: Performer Agency and Audience Reception
Kirby’s research is focused on developing new methods of performer agency in live electronic music and utilising audio-visual symbiosis to enhance audience engagement. She designs and performs with gestural software instruments.
 
Prof. Anıl Çamcı (University of Michigan)
* The Immersive Thread: Building Tools for Worldmaking across Various Media
In this presentation, I will talk about some of the tools and techniques I developed in recent years to explore immersion as a common thread across different modes of artistic expression ranging from fixed electronic music to audiovisual, interactive and participatory art. In discussing the relationship between my creative work and technology, I will also outline how research into extended realities can influence our notions of creativity and audience engagement moving forward.
 
Dr. Ilya Ziblat (Independent composer and researcher)
* Live-electronics and the News: Real-time Processing of Speech Samples Extracted From Social-media Platforms
My live-electronics interfaces are designed to process audio samples in real time. I often choose to work with samples of speech extracted from social-media and video-sharing platforms. By re-working these politically 'charged' materials I am able to deconstruct biases and supposed meanings, to question the dispositions of the speakers, and finally to reconstruct language in a musical rather than syntactical order. 


11 May 2021

Jed Wentz: Historical Acting, Theatre and Declamation // Korzo Theater

The quest to rediscover historical acting techniques places the modern actor/researcher in a dialogue with contemporary and past conceptions of the body. These are often closer in spirit (if not in exact understanding) than many would suppose: recent research into emotion, muscle engagement and nerve stimulation can throw light on historical acting treatises and vice versa. This presentation will show the artistic result of our research, and pose questions about our current dogmas concerning naturalism, acting and emotion.


8 June 2021

Anna Scott/Daniel Leech-Wilkinson: REFUSE/NIKS: Classical Music Performance Norms—Resist orObey? // Online

More information soon!

Past sessions 2021

 

ARC session 12 January 2021 // Blind Maps and Blue Dots

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Book Presentation Joost Grootens: Blind Maps and Blue Dots

The shift towards digital modes of production has fundamentally changed both cartography and graphic design. The omnipresent computer, the interactive possibilities of digital media and the direct exchange of data through networks have obscured the distinction between designers and users of visual information.

Blind Maps and Blue Dots is the first comprehensive publication to explore the disappearing boundaries between producers and users of maps. Joost Grootens examines three mapmaking practices—the Blue Dot, the location function in Google Maps; the Strava Global Heatmap, a world map showing the activities of a fitness app; and the ‘Situation in Syria’ maps, a regularly updated map of the Syrian conflict made by an Amsterdam teenager. Through these examples and numerous visualizations, the book shows the blurring of the binary distinction between producing and using, ultimately offering a whole new approach to graphic design.

Joost Grootens is a graphic designer, educator and researcher. He is a University Lecturer and researcher at the Academy for Creative and Performing Arts of Leiden University. In April 2020 Grootens obtained his doctorate at PhDArts, Leiden University and KABK The Hague. 

ARC session 9 February 2021 // New Inputs

An evening with research presentations and artistic performance devoted to the role of interdisciplinary thinking and extended modes of interaction in free music improvisation. With research presentations by Richard Barrett and Johan van Kreij, video footage of Richard Barrett and Daryl Buckley and live performance of Cristina Schönbach (voice), Hilde Wollenstein (electronics), Peter van Bergen (saxophone) and Johan van Kreij. Read more.

9 February 2021 New Inputs

ARC session 9 March 2021- Walking (as a Method) in Artistic Research// Alice Twemlow

 

Presentations and a moderated discussion, featuring:
Justin Bennett, teacher in Institute of Sonology at KC, member of Interdisciplinary Research Group (KABK, KC and ACPA) and member of Jubilee, platform for artistic research and production in Brussels.
Rebecca Dunne, alumna, MA Artistic Research, KABK
Stephanie Springgay, director, School of the Arts and associate professor, McMaster University; co-director of WalkingLab and co-editor of Walking Methodologies in a More-than-Human World.

Sophie van Romburgh, lecturer at LUCAS, Leiden University
Alice Twemlow, Design Lector at KABK and associate professor at ACPA, Leiden University


The act of walking

The act of walking is a familiar and well-theorized research methodology in the social sciences, especially geography. Its value for new forms of situated, embodied, relational, and material research is also increasingly recognized in the field of artistic research. Whether they wander, stroll, dérive, crusade, trespass, or consciously follow the coordinates of a map; whether they bring with them a camera, audio recorder, facial recognition software, pen and paper, or nothing at all; walking can provide designers and artists with ways to think and make in solitude, to talk and exchange with others, or to simply co-exist with non-human companions.


In this session Dr. Alice Twemlow and a panel of artistic researchers working in different media explore the cross currents and the points of differentiation between their various approaches to walking as a research method. Among other topics, they will address the relationship between walking and other strategies and tactics such as writing, mapping, image-making, archiving, sensing, speculation, listening, and place-making, and between walking and issues and themes such as rhythm, public space, climate crisis, the Anthropocene, and slowness. The session also invites a discussion on how walking could be situated more critically in what theorists Stephanie Springgay and Sarah E. Truman have labeled a “more-than-human” methodological discourse, with the potential to engender “solidarity, accountability, and response-ability.”

Read more

Watch the recording of Walking (as a Method) in Artistic Research

Intro, presentation by Alice Twemlow

 
Presentations by Justin Bennett, Rebecca Dunne, Sophie van Romburgh

 
Presentation by Stephanie Springgay, first 15' of Q&A
 

Blog

Read the blog about this session on ARC_view, an online documentation project of the ARC (art_research_convergence) sessions.

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