Universiteit Leiden

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Anna Scott

Universitari Docent (gastmedewerker)

Naam
Dr. A.M. Scott
Telefoon
+31 71 527 5038
E-mail
a.m.scott@kunsten.leidenuniv.nl

Meer informatie is beschikbaar op de Engelstalige pagina

Universitari Docent (gastmedewerker)

  • Faculteit der Geesteswetenschappen
  • Academie der Kunsten

Werkadres

P.J. Veth
Nonnensteeg 1-3
2311 VJ Leiden
Kamernummer 1.12

Contact

  • Scott A.M. (2017), Brahms Solo and Chamber works. Amsterdam: Uilenburger Synagogue. [audio]overig
  • Scott A.M. (27 oktober 2016), The Reflective Piano Class: A Self-Generating Experiment in Integrating Artistic Research into Higher Instrumental Training ['Articulate' Lecture Series, Witte Zaal, De Singel, Antwerp, Belgium, October 27, 2016] (Lezing).overig
  • Scott A.M. (21 september 2016), Mind the Gap! [ArtEZ Institute of the Arts, Deventer, September 21, 2016] (Lezing).overig
  • Scott A.M. (9 maart 2016), Pas de Deux: Two Ways of Knowing and Doing in Brahms's Intermezzo in B Minor Op. 119 no. 1 ['CRAFT' Artistic Research Festival, Codarts Rotterdam, March 9, 2016] (Lezing).overig
  • Scott A.M. (2016), Pianist and researcher Anna Scott uses early recordings to inspire startlingly original interpretations of Brahms Geïnterviewd door for Challenging Performance - Interviews & Recordings [interview].overig
  • Scott A.M. (2015), Schubert's Die Schöne Müllerin. Affoltern am Albis, Switzerland: Kellertheater La Marotte. [audio]overig
  • Scott A.M. (23 januari 2015), Experiments in Early-Recorded Brahms Pianism [Lecture-Performance: King's College Music Seminar Series, King's College London, UK, January 23, 2015] (Lezing).overig
  • Scott A.M. & Gloor V. (2015), Brahms and Debussy Lieder (with tenor Valentin Gloor). Gent: ORCiM Research Festival. [audio]overig
  • Scott A.M. (2015), Romanticizing Brahms: Experiments in Early-Recorded Brahms Pianism [CHASE Symposium on Performing Brahms in the 21st Century, Leeds, UK, June 30 - July 2, 2015].congresbijdrage
  • Scott A.M. (2014), Solo Brahms works. Voorburg: Huygensmuseum Hofwijk. [audio]overig
  • Scott A.M. (20 oktober 2014), Early Recordings and the De[con]struction of Brahmsian Performance Norms [Lecture-Performance: CMPCP/IMR Seminar Series, Chancellor's Hall, Senate House, London, UK, October 20, 2014] (Lezing).overig
  • Scott A.M. (2014), Changing Sounds, Changing Meanings: How Artistic Experimentation Opens Up the Field of Brahms Performance Practice. In: Crispin D., Gilmore B. (red.) Artistic Experimentation in Music: An Anthology. Leuven: Leuven University Press.boekdeel
  • Scott A.M. (red.) (2014), Editorial committee member: Artistic Experimentation in Music: An Anthology (Darla Crispin and Bob Gilmore, eds,). Leuven: Leuven University Press.boekredactie
  • Scott A.M. (2014), Johannes Brahms's Late Piano Works. 15328. Den Haag. [audio]overig
  • Scott A.M. (2013), Brahms and Schumann Lieder. 15326. Gent: ORCiM Academy, Orpheus Instituut. [audio]overig
  • Scott A.M. (2013), Experimenting with Sounding Historical Traces and the Unraveling of Brahmsian Identities [ORCiM Research Festival, Orpheus Instituut, Ghent, Belgium, October 2-4, 2013].congresbijdrage
  • Scott A.M. (2013), Sound Drifts: The Phenomenon of Stylistic Change in the Interpretation of Fixed Texts. In: Assis P. de, Brooks W., Coessens K. (red.) Sound and Score: Essays on Sound, Score, and Notation. Leuven: Leuven University Press.boekdeel
  • Scott A.M. (2012), Reinterpreting Michael Musgrave and Bernard D. Sherman's Performing Brahms: Early Evidence of Performance Style, New Sound (37): 75-79.artikel in een tijdschrift
  • Scott A.M. (2012), Bespreking van: Peres Da Costa N. (2012) Off the Record: Performing Practices in Romantic Piano Playing, Context - Journal of Music Research (37): 145-149.boekbespreking

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