Anna Scott
Universitair Docent
- Naam
- Dr. A.M. Scott
- Telefoon
- +31 71 527 5038
- a.m.scott@kunsten.leidenuniv.nl
- ORCID iD
- 0000-0003-3176-0339
Anna Scott is docent aan aan de Academie der Kunsten.
Meer informatie over Anna Scott
In de media
Universitair Docent
- Faculteit der Geesteswetenschappen
- Academie der Kunsten
- Scott A.M. (2022), Doesn't Play Well With Others: Performance and Embodiment in Brahms's Chamber Music with Piano. In: Grimes N. & Phillips R. (red.), Rethinking Brahms: Oxford University Press.
- Craenen P.C.A., Toksöz Fairbairn K., Scott A.M., Tunca S.A. & Wentz J.A. (2022), Roundtable: the artist-researcher inside out: Strategies, methodologies, refractions, European Drama and Performance Studies 2(19): 97-108 (10).
- Scott A.M. & Miles G. (2021), Solo recording of piano works by Brahms and Schumann: Recorded at YourSonics Rijswijk, in collaboration with audio engineer and producer Geoff Miles. [audio].
- Scott A.M., Stam E., Stam W., Berkhemer J., Ovcharova R. & Miles G. (2019), Title should read: Brahms Chamber Works for Piano and Strings (Studio Recording). MP3. Scheveningen. [audio].
- Scott A.M. (2019), Doesn’t Play Well With Others: The Politics of 19th-Century Performance Style. . Fontys School of Fine and Performing Arts Tilburg.
- Scott A.M. (2019), Doesn’t Play Well With Others: The Politics of 19th-Century Performance Style. ACPA Conferentie: Is This Thing On? The Public Dimensions of Artistic Research 10 oktober 2019 - 11 oktober 2019. Koninklijk Conservatorium Den Haag: Leiden University Academy of Creative and Performing Arts.
- Scott A.M. (2019), Artistic Research and the DocArtes Doctoral Programme in the Musical Arts. . TivoliVredenburg: Utrecht Early Music Festival.
- Scott A.M., Stam E., Stam W., Berkhemer J., Ovcharova R. & Miles G. (2019), Brahms Chamber Works for Piano and Strings (Public Concert). MP3. Uilenburger Synagogue Amsterdam: Mokum Symphony. [audio].
- Scott A.M. (2017), Brahms Solo and Chamber works. Amsterdam: Uilenburger Synagogue. [audio].
- Scott A.M. (2015), Romanticizing Brahms: Experiments in Early-Recorded Brahms Pianism [CHASE Symposium on Performing Brahms in the 21st Century, Leeds, UK, June 30 - July 2, 2015]. .
- Scott A.M. (2015), Schubert's Die Schöne Müllerin. Affoltern am Albis, Switzerland: Kellertheater La Marotte. [audio].
- Scott A.M. & Gloor V. (2015), Brahms and Debussy Lieder (with tenor Valentin Gloor). Gent: ORCiM Research Festival. [audio].
- Scott A.M. (11 december 2014), Romanticizing Brahms: Early Recordings and the [De]Construction of Brahmsian Identity (Dissertatie. Academy of Creative and Performing Arts (ACPA), Humanities, Leiden University). Promotor(en): Ruiter F.C. & Leech - WIlkinson D.
- Scott A.M. (2014), Johannes Brahms's Late Piano Works. CD. Den Haag. [audio].
- Scott A.M. (red.) (2014), Editorial committee member: Artistic Experimentation in Music: An Anthology (Darla Crispin and Bob Gilmore, eds,). Leuven: Leuven University Press.
- Scott A.M. (2014), Changing Sounds, Changing Meanings: How Artistic Experimentation Opens Up the Field of Brahms Performance Practice. In: Crispin D. & Gilmore B. (red.), Artistic Experimentation in Music: An Anthology. Leuven: Leuven University Press.
- Scott A.M. (2014), Solo Brahms works. Voorburg: Huygensmuseum Hofwijk. [audio].
- Scott A.M. (2013), Experimenting with Sounding Historical Traces and the Unraveling of Brahmsian Identities [ORCiM Research Festival, Orpheus Instituut, Ghent, Belgium, October 2-4, 2013]. .
- Scott A.M. (2013), Brahms and Schumann Lieder. RealAudio. Gent: ORCiM Academy, Orpheus Instituut. [audio].
- Scott A.M. (2013), Sound Drifts: The Phenomenon of Stylistic Change in the Interpretation of Fixed Texts. In: Assis P. de, Brooks W. & Coessens K. (red.), Sound and Score: Essays on Sound, Score, and Notation. Leuven: Leuven University Press.
- Scott A.M. (2012), Bespreking van: Peres Da Costa N. (2012), Off the Record: Performing Practices in Romantic Piano Playing. Oxford: Oxford University Press. Context - Journal of Music Research (37): 145-149.
- Scott A.M. (2012), Reinterpreting Michael Musgrave and Bernard D. Sherman's Performing Brahms: Early Evidence of Performance Style, New Sound (37): 75-79.