Janna Houwen
University lecturer
- Name
- Dr. J.J.M. Houwen
- Telephone
- +31 71 527 2195
- j.j.m.houwen@hum.leidenuniv.nl
Janna Houwen is a University Lecturer at the Leiden University Centre for the Arts in Society.
Fields of interest
- Political Film, Third Cinema
- Film and Video Essay
- Refugee Studies
- Video Art
- Contemporary Cinema
- The MENA region and the Middle East
- Media Art and “Crisis”
- Cultural Theory
- Literature and Literary Theory
- (New) Media Theory
- Television Series
Research
My research stems from one fundamental question: how do works of art that people create with media technologies (in the widest sense of the word; from painting to new media, from novels to digital cinema) produce ways of looking at, and being in, the world? In my current research, I center on political and social contexts where the interrelation between people and film and video art matters most: contexts where precisely the “being in the world” that art can foster is under threat; where being a person, living a political and personal life, is not self-evident. I study questions of surveillance, war, violence and revolution in lens-based media art, with a focus on the European “refugee crisis,” the Arab Spring and its aftermath, and images of “Eastern others” in Western media. I am particularly interested in films and video art from the MENA-region and the “Middle East.”
Teaching
My teaching covers a wide range of topics in the overlapping fields of comparative literature, film studies, adaptation studies and art history. I am committed to both the Intercultural and the Intermediality track within the Film and Literary Studies curriculum. I for instance teach courses on political and intercultural cinema (Third Cinema and Beyond)), on intermedial relations between cinema and literature ( Literatuur en Film), and on the word-image conundrum ( Paragone).
Curriculum Vitae
Janna Houwen is assistant professor at the Film and Literary Studies Department of Leiden University.
She received her Ph.D. with honors from Leiden University (Mapping Moving Media, 2014) and holds degrees in Literary Studies (MA, Leiden University, cum laude), Comparative Literature (BA, Leiden University, cum laude), and in Visual Art (BA, Royal Academy of Art, The Hague).
Since September 2014, Janna has been working as an assistant professor (UD) at the Film and Literary Studies Department at Leiden University (LUCAS, Leiden Centre for the Arts in Society).
Janna’s main fields of expertise are (new) media theory, film and video, cultural theory and comparative literature. She has published on several topics, including intermediality and mediumspecificity, intercultural video art, cinema and the refugee crisis, surveillance, and the machinic. She is the author of Film and Video Intermediality: The Question of Medium Specificity in Contemporary Moving Images (Bloomsbury 2017), and has co-edited Legibility in the Age of Signs and Machines (Brill 2018) and Languages of Resistance, Transformation, and Futurity in Mediterranean Crisis-Scapes: From Crisis to Critique (Palgrave Macmillan 2020).
University lecturer
- Faculty of Humanities
- Centre for the Arts in Society
- Literatuurwetenschap
- Houwen J.J.M. (2022), "Blijven of gaan? Migratiebeslissingen in essayfilms na de Arabische lente", ZemZem. Tijdschrift over het Midden-Oosten, Noord-Afrika en islam 2022(1): 90-98.
- Houwen J.J.M., Tsagdis G., Boletsi M. & Blooijs J. de (2021), "Grammars of Crisis". In: Boletsi M., Lemos-Dekker N., Mika K. & Robbe K. (Eds.), (Un)timely Crises: Chronotopes and Critique: Palgrave Macmillan. 23-49.
- Boletsi M., Houwen J.J.M. & Minnaard E. (Eds.) (2020), Languages of Resistance, Transformation, and Futurity in Mediterranean Crisis-Scapes: From Crisis to Critique. Cham: Palgrave Macmillan.
- Boletsi M. Houwen J.J.M. Minnaard E. (2020), Introduction: from crisis to critique. In: Boletsi M., Houwen J.J.M. & Minnaard E. (Eds.), Languages of Resistance, Transformation, and Futurity in Mediterranean Crisis-Scapes: From Crisis to CritiqueLanguages of Resistance, Transformation, and Futurity in Mediterranean Crisis-Scapes: From Crisis to Critique. Cham: Palgrave Macmillan. 1-24.
- Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (2020), Automation, representation, and the question concerning the legibility of the image/machine today. Plaitano G., Venturini S. & Villa P. (Eds.), Moving pictures, living machines: automation, animation and the imitation of life in cinema and media. XXVI Udine International Film Studies Conference 21 March 2019 - 23 March 2019. Udine: Mimesis International . 233-238.
- Houwen J.J.M. (2020), In the Refugee Machine: The Absence of Crisis and Its Critical Reproduction. In: Boletsi M., Houwen J.J.M. & Minnaard E. (Eds.), From Crisis to Critique: Languages of Resistance, Transformation, and Futurity in Mediterranean Crisis-Scapes. . Hampshire: Palgrave Macmillan. 43-62.
- Houwen J.J.M. (2019), Video Against the Machine: Lens-Based Interventions in the Refugee Crisis, FKW: Zeitschrift für Geschlechterforschung und visuelle Kultur 66: 72-86.
- Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (Eds.) (2018), Legibility in the Age of Signs and Machines. Thamyris/Intersecting: Place, Sex and Race no. 33. Leiden: Brill.
- Houwen J.J.M. (2018), Productieve Psychoses: Psychoanalyse, Machine-analyse, en het Politieke in Homeland. In: Verstraten P. & Houppermans S. (Eds.), Oog om Oog: Psychoanalyse en TV-series. Antwerpen: Garant.
- Houwen J.J.M. (2018), Film and Video Intermediality: The Question of Medium Specificity in Contemporary Moving Images. New York: Bloomsbury Academic.
- Houwen J.J.M. & Minnaard L. (2018), Postcolonialism. In: Blooijs J. de (Ed.), 50 Key Terms in Contemporary Cultural Theory. Antwerpen: Pelckmans Pro.
- Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (2018), Introduction: legibility in the age of signs and machines. In: Hesselberth P., Houwen J.J.M., Peeren E. & Vos R. de (Eds.), Legibility in the age of signs and machines. Leiden: Brill. 1-18.
- Houwen J.J.M. (2017), Film and Video Intermediality: The Question of Medium Specificity in Contemporary Moving Images. New York/London: Bloomsbury Academic.
- Houwen J.J.M. & Minnaard L. (2017), Postcolonialism. In: Blooijs J. de (Ed.), 50 Key Terms in Contemporary Cultural Theory. Antwerpen: Pelckmans Pro.
- Houwen J.J.M. (2016), An Empty Table And An Empty Boat: Emphatic Encounters with Refugee Experiences in Intermedial Installation Art, American, British and Canadian Studies Journal 27(1): 44-73.
- Houwen J.J.M. (2015), Identifying with Dexter, American, British and Canadian Studies Journal 24(1): 24-43.
- Houwen J.J.M. (Ed.) (2015), . Empedocles: European Journal for the Philosophy of Communication.
- Houwen J.J.M. (9 September 2014), Mapping moving media: film and video (Dissertatie. Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University). Supervisor(s) and Co-supervisor(s): Alphen E.J. van, Verstraten P.W.J.
- Houwen J.J.M. (Ed.) (2014), Editorial board JLGC: Journal of the Leiden Graduate Conference. 2012-2014.
- Houwen J.J.M. (2013), Houwen, Janna. 2013. “This Is NOT Funny: How Michael Haneke’s Film Funny Games Corrects Its Audience.” Proteus: A Journal of Ideas 29.1. 53-62, : .
- Houwen J.J.M. (Ed.) (2013), Houwen, Janna et.al, eds. 2013. Death: The Cultural Meaning of the End of Life. Journal of the Leiden Graduate Conference. Leiden: Leiden University Library Press.
- Houwen J.J.M. (2012), Houwen, Janna. 2012. “Mediating Time: The Relation Between Mediumspecificity and the Perception of Time in David Claerbout’s Video Works.” Paper presented at Time Networks: Screen Media and Memory. Conference NECS: Network of European Cinema and Media. Lisbon, Portugal. .