Tingting Hui is a university lecturer at the Leiden University Centre for the Arts in Society.
Leiden Arts in Society Blog
Fields of interest
- Critical theory
- Postcolonial studies
- Contemporary art and literature
My PhD project, Melodramas of the Tongue, explores and disentangles the relationship between language and body. I close-read a series of theoretical, philosophical, and literary texts that dramatize or reflect on the implications of speaking with an accent. I propose that the figure of the accent holds the key to rethinking literature as the invention of a singular voice which mobilized and entices the body. Because accent, with its distinctive melody and intonation, persistently draws one’s attention to a vocalizing mouth that swallows and drops, such an image gives rise to a dramatic scene of speaking, which puts literature face to face with a primitive and regressive force of consumption and absorption. Whereas the ideal of the literary voice is often upheld as pure, sublime, and without accent, the image of a “flawed” body – mouth open, tongue loose, voice tampered with an odd and foreign accent – keeps coming back in literary works.
2020 Ph.D. in Literary and Cultural Studies, Leiden University, the Netherlands
2014 M.A. cum laude in Media Studies: Comparative Literature and Literary Theory, Leiden University, the Netherlands
2012 B.A. in Teaching Chinese as a Second Language (TCSL), Northwest University, China
Grants and awards
2019 Honourable Mention of the 2019 Horst Frenz Prize, American Comparative Literature Association (ACLA)
2016 Young Scholars Excellence Award, the Society for Multi-Ethnic Studies (MESEA)
2015 Ph.D. Fellowship, awarded by Netherlands Institute for Cultural Analysis (NICA)
2014 Second Prize for the sixth Piao Mu Essay Competition in Europe, Chinese Education Foundation in the Netherlands
- Hui T. (2022), Imperfect Metamorphoses of Language: Retracing a Childlike Vision with Artist Xu Bing. In: Kemper J., Kelly C. & Rutten E. (Eds.) Imperfection: Studies in Failures, Flaws, and Defects. .: Bloomsbury Academic. 201-218.
- Hui T. (2021), Talking Back as an Accented Speaker? Reframing Butler’s Idea of Subversive Resignification. In: Halsema A, Kwastek K. & Oever R. (Eds.) Bodies That Still Matter.: Amsterdam University Press. 65-76.
- Hui T. (20 October 2020), Melodramas of the tongue: Accented speech in literature, art, and theory (Dissertatie. Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University). Supervisor(s) and Co-supervisor(s): Alphen E.J. van, Horsman Y.
- Hui T. (2020), Speaking while Eating, and Vice Versa, The Decadent Review : .
- Anli Z., Volkmar A., Cardozo de Souza A.P., Feuth A.G.B.M., Hui T., Majid B., Seale L.R., Shobeiri S.A., Vergeer T. & Polak S.A. (Eds.) (2020), Landscape in Perspective: Projections and Transformations. Journal LUCAS Graduate Conference. Leiden: Leiden University Library.
- Hui T. (2019), In Search of Translational Resonance with Patel and Rau’s Stage Work Who am I? Think Again. In: Kalogeras Yiorgos & Waegner Cathy (Eds.), Ethnic Resonances in Performance, Literature, and Identity. New York: Routledge.
- Hui T. (2019), Words That I Swallowed Whole: The Linguistic Edibility of Yoko Tawada’s Exophonic Writings. In: Slaymaker Doug (Ed.), Tawada Yoko: On Writing and Rewriting. Lanhm, Boulder, New York, London: Lexington Books. 199-212.
- Hui T. (2019), Cosmopolitan Hospitality and Accented Crossing: Forging an Ethics of Listening with Lawrence Abu Hamdan’s Artworks. In: Luczak E.B., Pochmara A. & Dayal S. (Eds.), New Cosmopolitanisms, Race, and Ethnicity: Cultural Perspectives. Warsaw, Berlin: De Gruyter. 328-343.
- Hui T. (2019), Performing Failure: Rethinking the Strategic Value of Translation, Third Text 33(2): 235-246.
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