Universiteit Leiden

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Anna Scott

Assistant Professor

Name
Dr. A.M. Scott
Telephone
+31 71 527 5038
E-mail
a.m.scott@kunsten.leidenuniv.nl
ORCID iD
0000-0003-3176-0339

Dr. Anna Scott is a Canadian pianist-researcher who specializes in 19th-century musical performance practices, with a broader interest in radical alternatives to, and the wider cultural-political significance of, how we currently play, hear, and understand canonic classical music repertoires and composers. An active pianist known for her startling performances of 19th-century solo, chamber, lied and orchestral repertoires ranging from Schubert to Debussy, Anna also supervises several ongoing practice-led PhD projects at Leiden University’s Academy of Creative and Performing Arts (ACPA), including but not limited to projects dealing with early recordings, historical performance, performance change over time, and radical performance alternatives.

Assistant Professor

  • Faculty of Humanities
  • Academie der Kunsten

Work address

P.J. Veth
Nonnensteeg 1-3
2311 VJ Leiden
Room number 1.12

Contact

  • Scott A.M. (2022), Doesn't Play Well With Others: Performance and Embodiment in Brahms's Chamber Music with Piano. In: Grimes N. & Phillips R. (Eds.), Rethinking Brahms: Oxford University Press. Boekdeel
  • Craenen P.C.A., Toksöz Fairbairn K., Scott A.M., Tunca S.A. & Wentz J.A. (2022), Roundtable: the artist-researcher inside out: Strategies, methodologies, refractions, European Drama and Performance Studies 2(19): 97-108 (10). 'Non-refereed' artikel in tijdschrift
  • Scott A.M. & Miles G. (2021), Solo recording of piano works by Brahms and Schumann: Recorded at YourSonics Rijswijk, in collaboration with audio engineer and producer Geoff Miles. [audio]. Digitale of (audio)visuele producten
  • Scott A.M. (2019), Artistic Research and the DocArtes Doctoral Programme in the Musical Arts. . TivoliVredenburg: Utrecht Early Music Festival. Non-refereed' congrespublicatie
  • Scott A.M. (2019), Doesn’t Play Well With Others: The Politics of 19th-Century Performance Style. ACPA Conferentie: Is This Thing On? The Public Dimensions of Artistic Research 10 October 2019 - 11 October 2019. Koninklijk Conservatorium Den Haag: Leiden University Academy of Creative and Performing Arts. 'Refereed' congrespublicatie
  • Scott A.M. (2019), Doesn’t Play Well With Others: The Politics of 19th-Century Performance Style. . Fontys School of Fine and Performing Arts Tilburg. 'Non-refereed' congrespublicatie
  • Scott A.M., Stam E., Stam W., Berkhemer J., Ovcharova R. & Miles G. (2019), Title should read: Brahms Chamber Works for Piano and Strings (Studio Recording). MP3. Scheveningen. [audio]. Digitale of (audio)visuele producten
  • Scott A.M., Stam E., Stam W., Berkhemer J., Ovcharova R. & Miles G. (2019), Brahms Chamber Works for Piano and Strings (Public Concert). MP3. Uilenburger Synagogue Amsterdam: Mokum Symphony. [audio]. Digitale of (audio)visuele producten
  • Scott A.M. (2017), Brahms Solo and Chamber works. Amsterdam: Uilenburger Synagogue. [audio]. Digitale of (audio)visuele producten
  • Scott A.M. (2015), Romanticizing Brahms: Experiments in Early-Recorded Brahms Pianism [CHASE Symposium on Performing Brahms in the 21st Century, Leeds, UK, June 30 - July 2, 2015]. . 'Refereed' congrespublicatie
  • Scott A.M. (2015), Schubert's Die Schöne Müllerin. Affoltern am Albis, Switzerland: Kellertheater La Marotte. [audio]. Digitale of (audio)visuele producten
  • Scott A.M. & Gloor V. (2015), Brahms and Debussy Lieder (with tenor Valentin Gloor). Gent: ORCiM Research Festival. [audio]. Digitale of (audio)visuele producten
  • Scott A.M. (2014), Johannes Brahms's Late Piano Works. CD. Den Haag. [audio]. Digitale of (audio)visuele producten
  • Scott A.M. (2014), Solo Brahms works. Voorburg: Huygensmuseum Hofwijk. [audio]. Digitale of (audio)visuele producten
  • Scott A.M. (2014), Changing Sounds, Changing Meanings: How Artistic Experimentation Opens Up the Field of Brahms Performance Practice. In: Crispin D. & Gilmore B. (Eds.), Artistic Experimentation in Music: An Anthology. Leuven: Leuven University Press. Boekdeel
  • Scott A.M. (11 December 2014), Romanticizing Brahms: Early Recordings and the [De]Construction of Brahmsian Identity (Dissertatie. Academy of Creative and Performing Arts (ACPA), Humanities, Leiden University). Supervisor(s): Ruiter F.C. & Leech - WIlkinson D. Dissertatie
  • Scott A.M. (Ed.) (2014), Editorial committee member: Artistic Experimentation in Music: An Anthology (Darla Crispin and Bob Gilmore, eds,). Leuven: Leuven University Press. Boekredactie
  • Scott A.M. (2013), Experimenting with Sounding Historical Traces and the Unraveling of Brahmsian Identities [ORCiM Research Festival, Orpheus Instituut, Ghent, Belgium, October 2-4, 2013]. . 'Refereed' congrespublicatie
  • Scott A.M. (2013), Sound Drifts: The Phenomenon of Stylistic Change in the Interpretation of Fixed Texts. In: Assis P. de, Brooks W. & Coessens K. (Eds.), Sound and Score: Essays on Sound, Score, and Notation. Leuven: Leuven University Press. Boekdeel
  • Scott A.M. (2013), Brahms and Schumann Lieder. RealAudio. Gent: ORCiM Academy, Orpheus Instituut. [audio]. Digitale of (audio)visuele producten
  • Scott A.M. (2012), Review of: Peres Da Costa N. (2012), Off the Record: Performing Practices in Romantic Piano Playing. Oxford: Oxford University Press. Context - Journal of Music Research (37): 145-149. Boekbespreking
  • Scott A.M. (2012), Reinterpreting Michael Musgrave and Bernard D. Sherman's Performing Brahms: Early Evidence of Performance Style, New Sound (37): 75-79. 'Non-refereed' artikel in tijdschrift

Activities

  • No relevant ancillary activities
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