Research

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  Restructuring Classical Music

  • Humanities
    • Academy of Creative and Performing Arts

• 

  The amorphous 6-string

  • Humanities
    • Academy of Creative and Performing Arts

• 

  The analytical- reconstructive process of the reduced orchestral works in France from the post-Lully generation (1687-1744)

  • Humanities
    • Academy of Creative and Performing Arts
• The confrontation between voice and electronics

  • Humanities
    • Academy of Creative and Performing Arts
• (Re)positioning Modern Concert Music in Contemporary Society

  • Humanities
    • Academy of Creative and Performing Arts
    • Centre for the Arts in Society

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  Materialization of fixed media music- Towards performance/interpretation of fixed media electroacoustic music

  • Humanities
    • Academy of Creative and Performing Arts

• 

  Reinventing the Stroh violin

  • Humanities
    • Academy of Creative and Performing Arts
• Keyboards Unite

  • Humanities
    • Academy of Creative and Performing Arts

• 

  Playing-techniques of the Italian 18th century salterio

  • Humanities
    • Academy of Creative and Performing Arts
• Transcription and the role of memory in contemporary music

  • Humanities
    • Academy of Creative and Performing Arts

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  Between oral and written tradition- Reconstructing 'lost' singing practices of Quattrocento Italy

  • Humanities
    • Academy of Creative and Performing Arts
• Giovanni Punto (1746-1803), Cor Basse Virtuoso

  • Humanities
    • Academy of Creative and Performing Arts

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  Knowledge and creation in historical performance practice- Inextricable partners in the tacit dimension

  • Humanities
    • Academy of Creative and Performing Arts

• 

  La Cetra Cornuta : the Horned Lyre of the Christian World

  • Humanities
    • Academy of Creative and Performing Arts
• Printed Keyboard Intabulations of Secular Vocal Works and Dances in 16th-century Italy

  • Humanities
    • Academy of Creative and Performing Arts