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Research
AI-SUPPORTED SYNTHESIS OF SHEPARD-RISSET FREQUENCY SETS
Humanities
Academy of Creative and Performing Arts
Philosophy in sound: The aesthetic theories of Moses Mendelssohn and Johann Georg Sulzer in the Berlin salon music of the 1750–80’s
Humanities
Academy of Creative and Performing Arts
Rehearsing the non-human- performance installation as a research tool
Humanities
Academy of Creative and Performing Arts
STORMING THE GAMERGATE
Humanities
Academy of Creative and Performing Arts
The conspiracy of subjectivity: myth and materiality in twenty rst century ballet practice
Humanities
Academy of Creative and Performing Arts
THE FIBER-OPTIC CABLE AT THE BACK OF THE YARDS
Humanities
Academy of Creative and Performing Arts
The work of abyss and time: towards an emancipatory poetics of the tropics and critical autoethnographic practices of research within media art.
Humanities
Academy of Creative and Performing Arts
Restructuring Classical Music
Humanities
Academy of Creative and Performing Arts
The amorphous 6-string
Humanities
Academy of Creative and Performing Arts
The analytical- reconstructive process of the reduced orchestral works in France from the post-Lully generation (1687-1744)
Humanities
Academy of Creative and Performing Arts
The confrontation between voice and electronics
Humanities
Academy of Creative and Performing Arts
(Re)positioning Modern Concert Music in Contemporary Society
Humanities
Academy of Creative and Performing Arts
Centre for the Arts in Society
Materialization of fixed media music- Towards performance/interpretation of fixed media electroacoustic music
Humanities
Academy of Creative and Performing Arts
Transcription and the role of memory in contemporary music
Humanities
Academy of Creative and Performing Arts
Between oral and written tradition- Reconstructing 'lost' singing practices of Quattrocento Italy
Humanities
Academy of Creative and Performing Arts
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