Research

• AI-SUPPORTED SYNTHESIS OF SHEPARD-RISSET FREQUENCY SETS

  • Humanities
    • Academy of Creative and Performing Arts

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  Rehearsing the non-human- performance installation as a research tool

  • Humanities
    • Academy of Creative and Performing Arts
• STORMING THE GAMERGATE

  • Humanities
    • Academy of Creative and Performing Arts
• The conspiracy of subjectivity: myth and materiality in twenty 􀀺rst century ballet practice

  • Humanities
    • Academy of Creative and Performing Arts
• THE FIBER-OPTIC CABLE AT THE BACK OF THE YARDS

  • Humanities
    • Academy of Creative and Performing Arts

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  Restructuring Classical Music

  • Humanities
    • Academy of Creative and Performing Arts

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  The amorphous 6-string

  • Humanities
    • Academy of Creative and Performing Arts

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  The analytical- reconstructive process of the reduced orchestral works in France from the post-Lully generation (1687-1744)

  • Humanities
    • Academy of Creative and Performing Arts
• The confrontation between voice and electronics

  • Humanities
    • Academy of Creative and Performing Arts
• (Re)positioning Modern Concert Music in Contemporary Society

  • Humanities
    • Academy of Creative and Performing Arts
    • Centre for the Arts in Society

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  Materialization of fixed media music- Towards performance/interpretation of fixed media electroacoustic music

  • Humanities
    • Academy of Creative and Performing Arts
• Transcription and the role of memory in contemporary music

  • Humanities
    • Academy of Creative and Performing Arts

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  Between oral and written tradition- Reconstructing 'lost' singing practices of Quattrocento Italy

  • Humanities
    • Academy of Creative and Performing Arts
• Giovanni Punto (1746-1803), Cor Basse Virtuoso

  • Humanities
    • Academy of Creative and Performing Arts

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  Knowledge and creation in historical performance practice- Inextricable partners in the tacit dimension

  • Humanities
    • Academy of Creative and Performing Arts