Research in and through art is an inseparable part of the artistic or design practice of the researcher. Consequently, research-in-art (as opposed to research-about-art, such as art history) does not have a set goal or expected result, nor are there predetermined general procedures. The outcome of the research is open. This openness is a condition for conducting research in art and design.
- Suzanne Knip
In research-in-art there is a unique relationship between the artist/designer, the research method and the outcome of the research. This research is shaped through the artist’s artistry and, the other way round, the artist develops his artistry through the research. The outcome is therefore an artistic product, combined with a discursive product, the dissertation, which does justice to the artistic one.
This final result of this type of research, which is by its nature speculative, cannot be restricted to one particular form. The criteria for the form the research may take are therefore kept as open as possible. Also, there is no fixed ratio between dissertation and artistic production. The requirements that the research must satisfy and the researcher’s methodology derive in part from the assignment that the artist or designer has given himself.
The PhDArts research trajectory consists of two elements: individual research and participation in the doctoral study programme. An appropriate team of supervisors is sought for each doctoral student. The doctoral study programme, which consists of lectures, seminars, trainings, and workshops, is an essential part of the research environment in which the student undertakes his or her research.
Connection with other research
- Territoriality and Choreography in Site-Specific Practice
- Spiritual Corporeality: Towards a dance language mediating between spirit, matter and levels of reality
- The politics of design: the liberating potential of communication design in post/modern times – Towards a critical methodology in communication design
- Spectacle and Surveillance: The Making and Unmaking of Collective Visual History
- Taking Place: Parrhesiastic practices of social transformation within local forms of theatricality
- The Game of Continuity
- The emergent ‘artistic object’ in the post-conceptual condition
- Locvs: Memory and transience in the representation of place from Italic domus to artistic environment
- Urban Future
- Thirty Sixth Series of the Next Kind of Series
- Digital Materials
- First person
- Analysis on text as a creative form of expression and investigation and how it can be mobilized as a tool for research activities and its outcomes
- The Map as Instrument
- Bridging Art, Design and Technology through Critical Making
- The Variational Mode - Three cases about documents, artworks and animation