Research project
FEATHERS
When we read a text, we think we know who wrote it, but in the early modern period, manuscript production was often a collaborative or ‘socialised’ enterprise involving secretaries and scribes who physically wrote what the author dictated.
- Duration
- 2020 - 2025
- Contact
- Nadine Akkerman
- Funding
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European Research Council (ERC)
Funding statement
This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (Grant agreement No. 864635).
Abstract
By learning how to distinguish between the authorial and the scribal voice, Nadine Akkerman’s FEATHERS project will restore the voices of those whose words were mediated, whether they were a monarch dictating to a secretary or a milkmaid talking to a court official.
These handwritten texts were often the result of collaboration between an author and a scribe. Like a modern secretary, these scribes would often correct, edit and amend the words given them by their employer as they put their goose feather quills to paper. Akkerman will analyse these texts in order to disentangle the different voices that may therefore appear in a manuscript.
The Routledge Handbook of Early Modern English Scribal Culture gathers together groundbreaking scholarship on anglophone scribes, scribal culture, and manuscript production in the early modern period, with a particular focus on the collaborative and networked nature of English manuscript culture in the sixteenth and seventeenth centuries. It showcases both traditional and emerging conceptual and methodological tools that can be used to identify the different actors involved in a manuscript’s production. It surveys current thinking about how to assess the nature and scope of the various social, cultural, formal, institutional, literary, rhetorical, linguistic, material, and archival influences that shaped the composition and circulation of manuscripts, c. 1500-1700. It also proposes new intersectional and interdisciplinary avenues for future work on early modern scribes and scribal culture, synthesizing insights from leading experts across a wide range of fields that include cultural heritage, digital humanities, gender studies, histories of labour, literary studies, legal history, material culture, palaeography, religious history, and translation studies.
The volume as a whole comprises thirty-two chapters and is divided into four sections. The first of these (‘Materiality’) examines the material contexts of early modern English scribal culture, from the use of a particular ink, script, seal, letter-fold, parchment or paper, to consideration of the effect of archiving practices, past and present. The following three sections each focus on the scribes, sites, languages, documents, and cultures of a different genre of the manuscript industry, namely ‘Epistolary’, ‘Literary’, and ‘Legal’.
Key questions and topics for the volume include:
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the role, function, and influence of early modern scribes, and how these intersect with other roles in textual production (e.g., author, compiler, translator)
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the nature and forms of collaboration that exist in early modern English manuscripts, and the ways in which these are shaped by gender, race, and/or status
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the extent to which collaborations and/or scribal interventions challenge inherited notions of early modern ‘authorship’
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the possibilities afforded by new approaches, such as digital tools, to archives and manuscripts, including the potential to recover hitherto marginalised voices.
Taken as a whole, the volume addresses a need for an accessible and comprehensive introduction to the conditions under which manuscripts – the beating heart of early modern English culture – were produced in sixteenth and seventeenth-century England and the wider anglophone world. It also offers a much-needed assemblage of the state-of-the-art on early modern English scribal culture from across a variety of disciplines. It will be essential reading for students, educators, and researchers alike.