Postmigration Beyond National Borders

The term ‘postmigrant’ (Schramm et al. 2019; Foroutan 2019; Yıldız 2021; Römhild 2021) has gained significant traction in the humanities and is used to describe societies shaped by ongoing migration and cultural transformation. The postmigrant paradigm was coined by Shermin Langhoff in the artistic-activist context of theatre to describe and empower the plural realities and lived experiences of second- and third-generation individuals in Germany (Sharifi 2018, 2019). Concurrently, the term has also been applied more broadly and in different cultural and societal contexts (Geiser 2016; Moslund 2019; Steward 2021; Coste & Kopf 2025). In establishing postmigration as a lens for ‘societal analysis’ (Yıldız 2014: 22), however, it is important to reflect on its conceptual reach and adaptability to diverse socio-historical and cultural landscapes, along with its relation to the postcolonial paradigm. The Platform meeting will explore how, for example, the colonial past and the ongoing reckoning with its reverberations in different countries across the globe inform the possibility of articulating the notion of a ‘postmigrant society’. In so doing, we will critically assess the postmigrant potential and limitations for analysing literature and other artistic media from diverse cultural and national backgrounds.

The meeting will feature a keynote by Azadeh Sharifi (FU Berlin) and include the joint discussion of seminal texts by leading scholars. Wishing to critically engage with the concept of ‘postmigrant’, its theoretical foundations, and its applicability to various transnational contexts, we will address questions including, but not limited to, the following:

• How do colonial histories shape literary and cultural reflections on (post)migration and belonging?
• What are the potential (methodological) pitfalls of transferring the postmigrant concept to various disciplinary and socio-cultural contexts?
• How does postmigration studies relate to postcolonial studies, critical race studies, and gender studies?
• What are the implications of the postmigrant paradigm for literary and cultural studies?  

By addressing these questions, the meeting aims to deepen understanding of postmigrant perspectives in literary and cultural studies, encourage critical reflection on their links to postcolonial thinking, and explore their relevance to the analysis of contemporary literature and culture across borders.

The meeting is open to all researchers working in the fields of literary, cultural, postcolonial, transcultural, and globalization studies. Participation is free of charge, but registration is mandatory. Junior researchers (doctoral students/research masters) who wish to present their work are invited to submit a 50-word biography and a 200-word abstract detailing their research-in-progress and outlining its relevance to the meeting’s central theme. Abstracts and registration details should be sent to Anna-Lena Eick (aeick@uni-mainz.de), Janine Hauthal (janine.hauthal@vub.be), and Isabella Villanova (isabella.villanova@vub.be) by 20 September 2025.

The Platform for Postcolonial Readings organizes seminars for (junior) researchers in the Netherlands and Belgium who are committed to issues of postcoloniality and globalization. This meeting is organized with the support of VUB’s Doctoral School of Human Sciences by guest-organizers Anna-Lena Eick (U Mainz), Janine Hauthal (VUB), and Isabella Villanova (VUB) in collaboration with platform coordinators Elisabeth Bekers (VUB) and Liesbeth Minnaard (UL).         

Literature from the Middle Eastern and North African (MENA) region has seen significant growth and diversification in recent years, gaining increased international visibility through literary prizes and book fairs. Central to these developments are the linguistic diversity of Arab literature and the translation efforts that have made this body of writing more widely accessible. However, these advancements notwithstanding, the academic community has yet to fully engage with the hybrid forms and genres that have been emerging from the region. Moreover, traditional language- and nation-based categorizations have fragmented scholarship, consigning diasporic and non-Arabic texts to a liminal space that is not addressed by Arab literary studies, which has conventionally focused exclusively on the Arabic canon (Hassan 2017). In addition, the historical ties between Arabophone literature and Western literary traditions, which even predate colonialism, have remained underexplored (Isstaif 2015).

This meeting of the Platform for Postcolonial Readings will investigate how works from the broader Arab literary field cross linguistic boundaries and intersect with various cultural contexts, specifically by experimenting with form. By examining intertextuality, genre hybridity, and the use of Arab folkloric motifs and unglossed Arabic terms, the seminar highlights the linguistic and cultural complexities of Arab literature. We will also address gendered,ethnicand postcolonial dynamics within these new literary forms.

The meeting, which aims to foster critical dialogue on the evolving literary landscape of the MENA region, opens with a keynote lecture by Prof. Dr. Xavier Luffin (Université libre de Bruxelles) on magical realism in contemporary Sudanese fiction. Subsequently Palestinian-Kuwaiti author Dr. Shahd Alshammari will read from and discuss her memoir Head Above Water (2022). A selection of relevant theoretical and critical texts will be assigned for preparatory reading; after the keynote lecture, participants will engage in a collective close reading and in-depth discussion of these texts. We then continue the discussion with contributions by (junior) researchers working in the broader field of Arab literary studies.

Since the publication of Edward W. Said’s Orientalism (1978), the stereotyping of Eastern societies and people in Western discourse has continued to be a topic of academic debate. The enormous political and economic turnaround of China in recent decades in particular has prompted postcolonial and other scholars to take a renewed interest in Orientalist discourses, with new modes of Orientalism being distinguished, such as AntiOrientalism, Self-Orientalism, Sinological Orientalism, Digital Orientalism. This meeting of the Platform for Postcolonial Readings aims to discuss the new branches of Orientalist criticism that have developed especially in response to the changing dynamics between Eastern and Western cultural powers.

The programme for this event can be found here.

Acknowledging that the decolonisation of academia in Flanders and the Netherlands has scarcely begun, and that the grammar of race is intricately entwined with humanities research and its objects of study, we dedicate this meeting of the Platform for Postcolonial Readings to a thorough examination of the multiple layers of whiteness that mark Neerlandophone literature as well as Dutch literary studies. We aim to address the invisibility of whiteness, probing whiteness as a key component of the grammar of race in Dutch and Flemish society and as an unmarked and under-analyzed presence in many works of Neerlandophone literature. In exposing and exploring the many shades of this Dutch and Flemish whiteness, recognising yet also moving beyond the highly discursive notions of white privilege and white innocence, we hope to fathom what whiteness has meant and continues to mean in Neerlandophone literature.

The programme for this event can be found here.

In this meeting of the Platform for Postcolonial Readings, we take a cue from our key-note speaker Prof. dr. Francesca Orsini to consider the production of world literature from the perspective of “multilingual locals” and “significant geographies”. She aims to pluralize our understanding of world literature and to foreground the subjectivity and positionality of its actors. After all, many of the literary works that travel beyond their original contexts of production never become visible in a truly global way, but circulate in particular geographies and across specific languages. During the meeting we will discuss how these new approaches problematize and reinvigorate the concept of world literature, and examine its applicability to the fields of postcolonial and globalisation studies.

The programme for this event can be found here.

In recent years, ‘protest’ has become one of the keywords in describing and fashioning forms of resistance that address the nexus of social, political and economic injustice locally and globally – from the Arab Spring to Occupy Wall Street, from Gezi Park to Euromaidan, anti-corruption protests in Russia to #FeesMustFall in South Africa. In all these events and movements, re-actualisations of the past and contestations of present-day memory politics have played a prominent role. As this feature deserves more attention, particularly in a comparative frame, this meeting of the Platform for Postcolonial Readings seeks to address the mentioned processes at the interfaces of postcolonial and post-socialist studies and at the interstices of (former) ‘East’ and ‘West’ and has invited Dr. Mischa Gabowitsch for a key-note lecture that starts the discussion.

In this meeting we examine the possible merits and limitations of a postcolonial aesthetic (to-be). Since the turn of 21st century, critics have been debating and/or calling for an aesthetic turn in postcolonial studies. Having once revolutionized scholarly practice by instigating the revision of the exclusively ‘white’ canon, the field increasingly has come under scrutiny for treating postcolonial works of art primarily as socio-political documents that inform especially metropolitan audiences in the West about ‘Third World’ and ‘minority’ experiences. In the new millennium, scholars are no longer presuming representation in postcolonial art to be unproblematized by its mediation. But what should a critical framework for addressing the aesthetic dimension of postcolonial art look like? After a key-note lecture by Prof. dr. Sandra Heinen we will embark on a discussion of this question.

The programme for this event can be found here.

The upcoming workshop of the Platform for Postcolonial Readings will be devoted to a postcolonial reflection on the capacities and limits of art and literature when it comes to giving a voice to refugees. According to literary scholar Bishupal Limbu “[t]o be a refugee is to lose certain rights, and in the absence of these rights, a person is no longer recognizable as such, devoid of significance, and meaningless to prevailing schemes of representation” (2009). Taking this claim as our starting point, we will ask ourselves if, and if so how, literature, visual art and cinema can artistically represent lives that are severed from representation politically? Are there modes of artistic representation available and/or imaginable that succeed in effectively and non-reductively voicing the migrant experience, in many cases a liminal experience that appears beyond words and images? Can art give voice to those who are generally seen as voiceless? And is doing so a responsibility, a challenge or rather an undesirable instance of appropriation and ultimately silencing? We have invited Dr. Sudeep Dasgupta to share his thoughts on the matter and open the discussion of these questions.

The programme for this event can be found here.

On the occasion of the ongoing renovation of the Royal Museum for Central Africa at Tervuren (Belgium) and the drastic budget cuts faced by the Tropenmuseum (Amsterdam), we devote this Platform meeting to a postcolonial reflection on the limits and possibilities of such museums in the 21st century. Museums exhibiting Europe’s colonial legacy have increasingly been subjected to criticism. Postcolonial theories of decolonization prompt us to reconsider the museums’ (neo-)colonial relations and to examine the possibilities of decolonization, as well as to perceive, articulate and possibly transcend the limitations of decolonization. We have invited Wayne Modest and Bambi Ceuppens as representatives of the above-mentioned museums to share their thoughts and open a discussion on the challenges of a radical postcolonial museum.

The programme for this event can be found here.

This meeting of the Platform for Postcolonial Readings is dedicated to the topic of Dutch Racism as explored in the volume Dutch Racism, edited by Philomena Essed and Isabel Hoving. This book is the first of its kind to present a comprehensive picture of the nature of (often-denied) Dutch racism. Its various contributions demonstrate how Dutch racism operates within and beyond the national borders, how it is shaped by European and global influences, and in what ways intersects with other systems of domination. We have invited Prof. dr. Gloria Wekker and Dr. Guno Jones to be the first to respond to the volume and to the issues that it raises, and to initiate the discussion on this important book.

The programme for this event can be found here.

• Platform Meeting The Enduring Legacy of Aimé Césaire in Contemporary Postcolonial Culture (26 June 2013) Programme
• Platform Meeting MONEY (18 January 2013) Programme
• The Upsurge of Autochthony Politics, Rhetorics and Aesthetics (22 June 2012) Programme
• Eco-Poco or The Ecocritical Turn Through Postcolonial Eyes (27 January 2012) Programme
• How to Theorize Actuality Mediterranean Revolutions, Postcolonial Questions (28 October 2011) Programme
• Translation, Globalization & Politics (21 January 2011)
• The Politics of Demonizing (25 June 2010)
• World & Mapping (22 January 2010)
• Bloody Boundaries (5 & 6 June 2008)
• Critique of Postcolonial Reason (15 June 2007)
• Inbetweenness & Hybridity (9 Febuary 2007)
• Absolutely Postcolonial (24 November 2006)
• Empire (28 April 2006)
• Launch of Platform (3 March 2006)