Fernanda Korovsky Moura
Guest
- Name
- Dr. F. Korovsky Moura MA
- Telephone
- +31 71 527 2727
- f.korovsky.moura@hum.leidenuniv.nl
- ORCID iD
- 0000-0002-2384-5255
I am currently an external PhD candidate at Leiden University. My research concerns three productions of William Shakespeare's "Richard II" in London in the nineteenth century with focus on representations of the Middle Ages on stage.
Fields of interest
My research interests include William Shakespeare's history plays in performance in London in the nineteenth century; nineteenth-century medievalisms; English and North-American literatures from the nineteenth century.
CV
- 2018-2021 PhD at Leiden University in cotutelle with the Federal University of Santa Catarina
- 2016-2017 ResMA Literary Studies (cum laude) at Leiden University
- 2015-2016 MA English Language and Literature at the Federal University of Santa Catarina
- 2011-2014 BA English and Portuguese Languages and Literatures at the Technological Federal University of ParanĂ¡
- 2008-2011 BA Communication and Advertising at Positivo University
Grants and awards
LExS Platinum Award - Leiden University (2016-2017)
Guest
- Faculty of Humanities
- Centre for the Arts in Society
- Oude Nederlandse L&C
- Korovsky Moura F. (21 June 2023), Farewell, king!: staging the Middle Ages in nineteenth-century London performances of Shakespeare's "Richard II" (Dissertatie. Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University). Supervisor(s) and Co-supervisor(s): Anrooij W. van & O'Shea J.R., Newton M.S.
- Korovsky Moura F. (7 September 2021), Double-voiced medievalism? The Middle Ages in the Modern World: Why do we keep going back to the Middle Ages? Why do we create both idealised and grotesque representations of the medieval past in popular culture?. Leiden Medievalists Blog. [blog entry].
- Korovsky Moura F. (17 September 2020), Looking at the Past: The Task of the Theatre Historian. Leiden Arts in Society Blog. [blog entry].
- Korovsky Moura F. (2020), Dion Boucicault’s Robert Emmet?: the question of authorship and the season premiere at the McVicker's Theatre, Chicago, on November 5, 1884, Ilha do Desterro / Journal of English Language, Literatures in English and Cultural Studies 73(2): 127-136.
- Korovsky Moura F. (2019), Medievalism and the Gothic discourse in Walter Scott's "Ivanhoe". In: Sá D.S. de & Copetti R.Z. (Eds.), O Gótico em Literatura, Artes, Mídia: Ensaios em inglês e português. São Paulo: Rafael Copetti Editor.
- Korovsky Moura F. (2019), The King is Dead, Long Live the King: Shakespeare's "Richard II" and its early stage history, Scripta Uniandrade 17(3): 125-140.
- Moura F.K. (2018), The Poet as a Lover: Oscar Wilde's 'The Garden of Eros', Revista Estação Literária 20: 25-36.
- Moura F.K. & Almeida R.C. de (2017), A Aparição do Fantástico em Guy de Maupassant, Scripta Uniandrade 15(2): 75-87.
- Moura F.K. (2017), O Rei Artur Através dos Séculos: Uma Trajetória das Lendas Arturianas, Revista Entrelaces 1(10): 22-34.
- Korovsky Moura F. (2016), Charles Macready’s King John: Victorian Theatre and Double-voiced Medievalism, Dramaturgias 1(1): 118-127.
- Korovsky Moura F. (2015), Female Subversiveness in Sense and Sensibility: An analysis of the character Marianne Dashwood, Revista Versalete 3(4): 301-318.