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Research
IN THE BEGINNING WAS THE SOUND
Humanities
Academy of Creative and Performing Arts
Internationalisation in Fine Arts and Design Higher Education in Europe
Humanities
Academy of Creative and Performing Arts
Learning Russian as a second language through allusive (precedential) phrases: corpus-based study
Humanities
Centre for Linguistics
Linguistic Contact in Italic Prehistory
Humanities
Centre for Linguistics
Historical and Comparative Linguistics
Marriage Law and Practice in Indonesia
Law
Institute for the Interdisciplinary Study of the Law
Van Vollenhoven Institute
Mediating from Within. Metaxical Amplification as an Alternative Sonic Environment for Classical Music Performance
Humanities
Academy of Creative and Performing Arts
Mosaic-Craftsmen and Workshop-organization in the Provinces of Arabia and Palestina during Late-Antiquity
Humanities
Institute for Area Studies
Mutable Audible – An Operative Ontology of the Sound Image
Humanities
Academy of Creative and Performing Arts
Necropolis journal: The Administration of an Egyptian Artisans’ Community
Humanities
Institute for Area Studies
Egyptology
Negotiating Power and 'Constructing' the Nation: The Engineering Profession in Sri Lanka
Humanities
Institute for Area Studies
South Asian & Tibetan Studies
Old English Renewed
Humanities
Centre for Linguistics
Historical and Comparative Linguistics
Ontology and Subjectivity in Gilles Deleuze and Dōgen Kigen
Humanities
Institute for Area Studies
Japanese Studies
Participatory Sense-making in Physical Play and Dance Improvisation: Drawing Meaningful Connections Between Self, Others and World
Humanities
Academy of Creative and Performing Arts
Picturing Silence: interpreting the musical experience of silence through visual representation
Humanities
Academy of Creative and Performing Arts
Political Legitimacy under Debate: Democracy and Authority in the Netherlands in the 1880s, 1930s, and 1960s
Humanities
Institute for History
Politics, Culture and National Identities 1789-Present
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