Technologies of power have created a radically altered sky. Society is securitized and surveilled, structured and reconfigured in the service of militarism, enveloping the Earth’s crust within an atmospheric topography of enclosure. The US military has a word for it: full spectrum dominance.

Filled with floating technologies, this volumetric space is an entangled convergence of airspace, data space, surveillance, and martial force. Images, in their production and usage, are active contributors to this infrastructure of vision and security. The creation of imagery is now outsourced to airborne machines and other non-human technologies. The camera is omnipresent, re-structuring the ways we see, and understand, the world around us.

In what ways can a photographic practice act as a means to confront, or even undo, the various material properties of atmospheric enclosure that so clearly put our relationship with our environment under pressure? Is it possible to devise a set of critical and artistic strategies to comprehend the ways in which the sky structures life under the state?

This research project looks at the sky as a new kind of landscape that is politically and technologically mediated by a totalizing, global view – one that is now essential to our life on Earth. It aims to help understand the historical moment we are living in, and simultaneously explores what photography has become, and what it may become.