Universiteit Leiden

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Research project

Museum Lab

The Dutch museum landscape is among the most forward-thinking worldwide, in terms of innovations in engaging diverse audiences and stakeholders. Building on the museum studies and art history programmes at Leiden University, the Museum Lab furthers students’ engagement with museums.

Duration
2024 - 2025
Contact
Laurie Kalb Cosmo
Funding
Dutch Ministry of Education Startersbeurs
Partners
  • Wereldmuseum Leiden
  • Stichting Stolpersteine Amsterdam
  • Foundation Herdenking Jodenvervolging Leiden
  • Rijksmuseum Boerhaave
  • Early Printed and Rare Books, Leiden University Library
  • KNIR (Koninklijk Nederlands Instituut Rome)
  • NIKI (Nederlands Interuniversitair Kunsthistorisch Instituut)

The Museum Lab presents students with opportunities to participate in workshops and conferences related to cutting-edge museum practices in ethics, collecting, display, technology and interpretation. Actively interacting with museum professionals, students become stakeholders in museum practices and more informed about the profession. A Museum Lab capstone will be the conference 'Legacies: Why Museum Histories Matter,' which will be informed by an edited volume on the Emergence of Modern Museums in the 1930s Netherlands, and how they reverberate on the world stage today. All Museum Lab projects result from collaborations with Leiden University, Dutch university research institutes and museum and academic colleagues in the Netherlands and internationally.

Photo by Elif Kirankaya: group photo of the Museum Lab project group
Photo by Elif Kirankaya: group photo of the Museum Lab project group

Conference: 'Legacies: Why Museum Histories Matter'

A conference that explores the meaning of inheritance
13–15 January 2026, Leiden University, the Netherlands

The international conference 'Legacies: Why Museum Histories Matter', a project of the Leiden University Museum Lab, invites papers that focus on museums with significant founding histories, broadly defined by their buildings, collections, commemorative functions, collectors or founders, that are currently engaged in some manner of institutional introspection, by way of exhibitions, acquisitions, restitutions, or renovations.

More information on the conference can be found on the event page. 

Call for proposals

We welcome applications from the broadest range of researchers, scholars and museum professionals, to be submitted by 15 June 2025. Please refer to the Call for Papers (PDF) for further information about the panels and submissions.

Book: 'Benchmarks: The Rise of Modern Museums in the 1930s Netherlands'

In the 1930s, five modern art museums were founded in the Netherlands, each making a bold statement with new buildings, experimental art, and avant-garde displays. This rapid growth of modern museums in a small country on the edge of Nazi occupation is a unique European case. Focusing on Museum Boijmans Van Beuningen, Kröller-Müller Museum, Kunstmuseum Den Haag, Stedelijk Museum Amsterdam, and Van Abbemuseum, this book explores their ambitions, collections, and international connections that helped shape these important cultural institutions of the 20th century.

The book is edited by Dr. Laurie Kalb Cosmo and Dr. Mary Bouquet and its publication is planned for Winter 2026.

Research and Events

7 and 9 May: Museum Lab Workshop Commemoration in the city: Engaging with the Stolpersteine in Leiden and beyond. With Barbera Bikker and Arnold Schalks, Stichting Herdenking Jodenvervolging Leiden. 

24 April: Museum Lab Workshop Collecting sustainability and climate change for Rijksmuseum Boerhaave. With Prof. Dr. Ad Maas. Rijksmuseum Boerhaave, Leiden. 

2 April: Museum Lab Workshop Rethinking the Wereldmuseum Leiden through Indigeneity and Contemporary Art. With Prof. Dr. Wonu Veys. Wereldmuseum Leiden. 

25 February: Museum Lab Workshop Presenting the wonders of early modern encyclopaedic collections in Leiden. Moderated by Dr. Marika Keblusek. Leiden University Special Collections, Leiden. 

A collection of photo's taken during the workshops can be found below

15 February: Conference presentation by Laurie Kalb Cosmo, "Accommodating New Expressions and an Increasing Public Commitment to Art: The Emergence of Museums of Modern Art in the Netherlands" for Panel on "Presenting Contemporary Art in Museums, ca. 1880-1930: Temporary Exhibitions, Institutional Networks and Collecting,” at 113 Annual College Art Association, New York, NY USA.

15 January: Public Lecture by Laurie Kalb Cosmo, “Liberation and Creativity: Jewish Artists and Philanthropists in Rome Between 1870 and 1938” at Museum Casa di Goethe Rome, in association with exhibition Max Liebermann: An Impressionist from Berlin.

6 December: Contributors Meeting for Edited Volume on Modern Museums in the 1930s Netherlands. Moderated by Prof. dr. Kitty Zijlmans (Emeritus Leiden University).

22 November: Roman Museum Legacies – Dialogue with dott.ssa Francesca Cappelletti, director of the Galleria Borghese. Moderated by Laurie Kalb Cosmo. KNIR (Koninklijk Nederlands Instituut Rome/Royal Dutch Institute in Rome). 

3-9 November: MA Museum Studies Excursion to the NIKI (Nederlands Interuniversitair Kunsthistorisch Instituut/Netherlands Interuniversity Institute for Art History) for the course Museums of the Future: Ethics, Responsibilities, and Practices (with funding from Leiden University Study Abroad).

18 September: Roman Museum Legacies – Dialogue with Francesco Stocchi, Artistic Director of MAXXI. Moderated by Laurie Kalb Cosmo. KNIR (Koninklijk Nederlands Instituut Rome/Royal Dutch Institute in Rome). 

28 May: Roman Museum Legacies – Dialogue with Andrea Viliani, Director of the Museo delle Civiltà. Moderated by Laurie Kalb Cosmo. KNIR (Koninklijk Nederlands Instituut Rome/Royal Dutch Institute in Rome). 

*The museum history research conducted in Rome by Museum Lab Director Dr. Laurie Kalb Cosmo has been sponsored by a two-year (2023/2025) Museum Fellowship at the KNIR (Koninklijk Nederlands Instituut Rome/Royal Dutch Institute in Rome ).

Transnational histories through historical and present-day interpretations of the Hindeloopen rooms, by Dr. Susanne Boersma

This study locates artefacts from the Hindeloopen rooms in different museums and studies the presented and known contexts of these unique objects. What do we know about the context in which the object was collected? What was and is the role of these artefacts in the different museums? What can we learn from the journey of the artefacts and their materials? And how are the different histories of these artefacts and museums possibly intertwined? Following these questions, this study assembles an overview of the Hindeloopen rooms and sheds light on the history of museum collections and their relation to local, national and global histories.

 

MA Thesis: A 20th Century Stone Age Colonial Collection in the Wereldmuseum Leiden: The ‘Franssen Collection’ and its Biography, by Raphaël Gerssen

This thesis focuses on a collection of almost 1500 polished stone artefacts from Indonesia, amassed by Dr. Caspar Franssen during the twentieth century. It attempts to unravel the biography of this collection, about which little is known to date. In doing so, Gerssen will address questions around the curation crisis, orphaned collections, colonial networks in Indonesia, and the urge to collect.

ResMA Thesis: Staging ‘Wonder Trouble’ in Museums, by Margot Stoppels

This dual thesis in MA Museum Studies and ResMA Arts, Literature and Media concerns the prominence of wonder in contemporary museums and the ‘experience economy’. Within the framework of ‘wonder trouble’, Stoppels works on the intersection of museums and theatre, situating the various theatrics of wonder within their ethical and political implications for museums and their visitors.​​​​​​​

BA Thesis: Restitution Beyond Materiality: The Struggle of Mexican Identity and the Dispossession of Moctezuma’s Headdress, by Sabina González Cosío Hagerman

This thesis delves into the restitution debate of Moctezuma’s Headdress as a case study to analyze the convergence of cultural heritage, identity, and post-colonial power dynamics in the museum. The study examines failed restitution claims through museum studies and legal perspectives, addressing the imperialist legacy that permeates Western cultural institutions. It also explores the role of the Headdress in settling Mexico’s Indigenous and mestizo identities, revealing some of the complications within the nation’s broken decolonization process. 

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