Academy of Creative and Performing Arts (ACPA)
ARC (art_research_convergence) is an outreach initiative of Leiden University for the active communication of artistic research.
ARC hosts exhibitions, installations, lectures and performances every first Monday of the month in the cultural hotspots in The Hague. The idea is to enable a space of communication and action where artist-researchers can show work in progress (or finished work in need of feedback) and discuss it with the audience.
ARC plays a connective role in the network of artistic and investigative practices. It strengthens the knowledge infrastructure in the dynamic field of practice-based research as well as brings it into the public eye. In doing so, it contributes to the knowledge economy in the region.
This project acts as a forum or laboratory, in which artist-researchers work together with other cultural players on new works, designs and performance practices.
- What? Performances, exhibitions, installations, lectures and other formats suitable for the communication of artistic research. Refreshments and snacks are included.
- Who? Artist-researchers, including graduate students, doctoral candidates and lecturers at artistic research institutions as well as independent artists who regard and represent their work as research. No institutional affiliation is required.
- For whom? General audience interested in the relationship between art and research, artists, researchers and students whose field has to do with artistic and/or research practices.
- When & where? Every first Monday of the month:
- Studio Loos - 1 October - 7 PM-9 PM
- De Nieuwe Regentes - 5 November - 7 PM-9 PM
- Korzo Theater - 3 December - 7 PM-9 PM
- Online session – date and time t.b.a.
ARC session October 1: What's This?
Third ARC (art_research_convergence) session of 2018
Artistic research projects presented this evening have in common the fact that they critically re-assess the media of art, using these very media as both tool and method. Judith Ijken’s artistic exploration of the history of portrait-making seeks to understand today’s culture of liking, sharing and displaying of photographic portraits while Benjamin Schoonenberg considers film media in order to explicit the relation between time and the moving image. Sabin Garea, in turn, proposes a performative inquiry into purposelessness: what are we left with when the artwork is but the destruction of another artwork? Finally, Miguelángel Clerc rethinks the ontology of immersive sound environments through processes of decomposition. Looking inside out at their own practice they ask themselves: what is this? Respondent is Marijke Cobbenhagen, Designer of Dialogue at The Grey Space in the Middle.
October 1, 2018
7 PM- 9 PM