Universiteit Leiden

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Caroline van Eck

Gastonderzoeker

Naam
Prof.dr. C.A. van Eck
Telefoon
+31 71 527 2727
E-mail
c.a.van.eck@hum.leidenuniv.nl
ORCID iD
0000-0001-8668-6020

Caroline van Eck is Hoogleraar Kunst en architectuur vóór 1800 aan het Leiden University Centre for the Arts in Society.

Meer informatie over Caroline van Eck

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Gastonderzoeker

  • Faculteit der Geesteswetenschappen
  • Centre for the Arts in Society
  • KG Architectuurgeschiedenis

Contact

  • Bussels S.P.M., Eck C.A. van & Oostveldt B. van (red.) (2021), The Amsterdam Town Hall in Words and Images: Constructing Wonders. London: Bloomsbury. boekredactie
  • Bussels S.P.M., Eck C.A. van & Plezier L.M. (2021), ‘Far more to wonder, than to fathom completely’: one hundred poems devoted to the town hall. In: Bussels S.P.M., Eck C.A. van & Oostveldt B. van (red.) The Amsterdam Town Hall in Words and Images. Constructing Wonders. London: Bloomsbury. 83-115. boekdeel
  • Bussels S.P.M., Eck C.A. van & Oostveldt B. van (2021), Introduction. In: Bussels S.P.M., Eck C.A. van & Oostveldt B. van (red.) The Amsterdam Town Hall in Words and Images. Constructing Wonders. London: Bloomsbury Publishing. 1-28. boekdeel
  • Eck C.A. van (2017), 'Architecture and the Spectator'. In: Eck C.A. van & Jong S.D. de (red.), Wiley/Blackwell Companion to Eighteenth-Century Architecture. Boston/Oxford: Wiley Blackwell.
  • Eck C.A. van & Jong S.D. de (2017), The Blackwell Companion to Eighteenth-Century Architecture (Boston/Oxford: Wiley/Blackwell, 2017. Boston/Oxford: Wiley Blackwell.
  • Eck C.A. van & Versluys M.J. (2017), The Hôtel de Beauharnais in Paris: Egypt, Rome, and the dynamics of cultural transformation'. In: Stackelberg K. von & Macaulay-Lewis E. (red.), Housing the New Romans. Oxford/New York: Oxford University Press.
  • Eck C.A. van (2017), Idols and Museum Pieces. The nature of sculpture, its historiography and exhibition history 1660-1880 nr. 9. Munich: DeGruyter.
  • Eck C.A. van (2017), Understanding Roman Architecture from a Distance: Sir Christopher Wren on the Temple of Peace and of Mars the Avenger. In: Payne A.A. (red.), The Blackwell/Wiley Companion to 17th-century Architecture, Boston/Oxford: Wiley/Blackwell, 2017.. Boston/Oxford: Wiley Blackwell.
  • Eck C.A. van & Versluys M.J. (2017), The Hôtel de Beauharnais in Paris: Egypt, Greece, Rome, and the dynamics of stylistic transformation. In: Stackelberg K.T. von & Macaulay-Lewis E. (red.), Housing New Romans: Architectural Reception and the Classical Style in the Modern World. Oxford: Oxford University Press. 54-91.
  • Eck C.A. van (2016), Quatremère de Quincy and a World History of Man-Made objects. In: Burioni M. (red.), Weltgeschichten der Architektur. Ursprünge, Narrative, Bilder 1700-2016, exh Munich: Zentralinstitut für Kunstgeschichte , December 2016-March 2017. Munich: Dietmar Klinger Verlag. 97-102.
  • Eck C.A. van (2015), Works of Art that Refuse to Behave: Agency, Excess, and Material Presence in Canova and Manet, New Literary History 46(3): 435-459.
  • Eck C.A. van, Versluys M.J. & Keurs P.J. ter (2015), The Biography of Cultures: Style, Objects and Agency, Cahiers de l'Ecole du Louvre 7(1): 2-22.
  • Eck C.A. van (2015), Art, Agency and Living Presence. From the Animated Image to the Excessive Object. München/Leiden: Walter de Gruyter/Leiden University Press.
  • Eck C.A van, Gastel J.J. van & Kessel E.J.M. van (2014), The Secret Lives of Art Works. Negotiating the boundaries between art and life. Leiden: Leiden University Press.
  • Eck C.A. van (2014), A New Interpretation of Vermeer's Allegory of Faith: Vividness and Figural Interpretation. In: Melion W.S., Clifton J. & Weemans M. (red.), Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700. Intersections. Yearbook for Early Modern Studies nr. 33. Leiden: Brill. 157-189.
  • Eck C.A. van (2014), Animation and Petrifaction in Rubens's Pompa Introitus Ferdinandi. In: Knaap A.C. & Putnam M.C.J. (red.), Art, Music and Spectacle in the Age of Rubens. The Pompa Introitus Ferdinandi. London/Turnhout: Harvey Miller Publishers. 143-167.
  • Eck C.A. van (2014), François Lemée et la statue de Louis XIV sur la Place des Victoires : les débuts d’une réflexion ethnographique et esthétique sur le fétichisme. Passerelles. Paris: Centre Allemand d’histoire de l’art/Maison des Sciences de l'Homme.
  • Eck C.A. van, Gastel J.J. van & Kessel E.J.M. van (2014), The Secret Lives of Art. Negotiating the boundaries between art and life. Leiden: Leiden University Press.
  • Eck C.A. van (2013), François Lemée et la statue de Louis XIV sur la Place des Victoires : les débuts d’une réflexion ethnographique et esthétique sur le fétichisme [n.a.] (vertaling Eck C.A. van). Passerelles série française nr. n.a.. Paris: Centre Allemand d'Histoire de l'Art/Maison des Sciences de l'Homme.
  • Eck C.A. van (2013), Organicism Revisited. The desire for the animation of inanimate matter in the 19th century, Archithese : .
  • Eck C.A. van (2013), Enargeia ou fétichisme: Le rejet de l’image vivante dans les discours sur l’art des années 1750. In: Michel C. & Lichtenstein J. (red.), De la Quête des règles au discours sur les fins. Les mutations des discours sur l’art en France dans la seconde moitié du XVIIIe siècle. Rome: Académie de France à Rome.
  • Eck C.A. van (2013), Enargeia ou fétichisme: Le rejet de l’image vivante dans les discours sur l’art des années 1750’ . In: Michel C. & Lichtenstein J. (red.), De la Quête des règles au discours sur les fins. Les mutations des discours sur l’art en France dans la seconde moitié du XVIIIe siècle. Rome: Académie de France à Rome.
  • Eck C.A. van (2013), Semper’s Metaphor of the Living Building : Its Origins in 18th-century Fetish Theories and its Function in Architectural Theory. In: Gerber A. (red.), Metaphors in Architecture and Urbanism. Bielefeld: Transcript. 133-147.
  • Eck C.A. van (2013), The Warburg Institute and Architectural History, Common Knowledge 18(1): 134-49.
  • Eck C.A. van (2012), 1990-2010: vingt ans d'historiografie néerlandaise, Perspective 2010-11(4): 671-687.
  • Eck C.A. van (2012), Figuring the Sublime in English Church Architecture 1660-1740. In: , Translations of the Sublime. Leiden: Brill. 221-247.
  • Eck C.A. van (2012), Introduction. In: , Translations of the Sublime. Leiden: Brill. 7-20.
  • Eck C.A. van (2012), Note from the Field: Anthropomorphism, Art Bulletin 94(1): 16-18.
  • Eck C.A. van (2012), The Life of Art, or: Pygmalion and Medusa. In: , Vital Beauty. Reclaiming Aesthetics in the Tangle of Technology and Nature. Rotterdam: V2_Publishing/NAI Publishing. 84-102.
  • Eck C.A. van, Bussels S.P.M., Delbeke M.J.F. & Pieters J.F. (2012), Translations of the Sublime. The Early Modern Reception and Dissemination of Longinus' Peri Hupsous in Rhetoric, the Visual Arts, Architecture and the Theatre. Leiden: Brill.
  • Eck C.A. van & Bussels S.P.M. (red.) (2011), . Art History.
  • Eck C.A. van & Bussels S.P.M. (2011), Introduction: Theatre, the Arts and Theatricality, Art History 33(2): 204-222.
  • Eck C.A. van & Hermans L. (2011), Leon Battista Alberti. Over de schilderkunst. Amsterdam: SUN.
  • Eck C.A. van & Bussels S.P.M. (2011), Levende Beelden. Kunst werken en kijken. Leiden: Leiden University Press.
  • Eck C.A. van & Bussels S.P.M. (2011), Theatricality in Early Modern Art and Architecture. Malden/Oxford: Wiley-Blackwell.
  • Eck C.A. van (2010), Bespreking van: (2007), Inigo Jones and the Classical Tradition. Cambridge: Cambridge University Press. Art Bulletin 91: 373-375.
  • Eck C.A. van (2010), Living Statues: Alfred Gell's Art and Agency, Living Presence Response and the Sublime, Art History 33/4: 662-680.
  • Eck C.A. van, McAllister J.W. & Vall R. van de (red.) (2010), The Question of Style in Philosophy and the Arts. Cambridge: Cambridge University Press.
  • Eck C.A. van (2009), Architectural Theory: Vitruvianism. In: Wilson C. St. John (red.), The Oxford Companion to Architecture: Oxford University Press.
  • Eck C.A. van (2009), At the Boundaries of Classical Architecture: The Gate in Seventeenth-Century Architecture in Northern Europe’. In: Arciszewska B. (red.), The Baroque Villa: Suburban and Country Residences c.1600-1800. Warsaw: Wilanow Palace Museum. 21-31.
  • Eck C.A. van (2009), Bespreking van: (2008), Michelangelo, Drawing and the Invention of Architecture: Yale University Press. Renaissance Quarterly 62: 915-916.
  • Eck C.A. van (2009), Empty Spaces Haunted by Presence: Abstraction, defiguration and the uncanny in Gordon Matta Clark's Architecture Photographs. Westgeest H. (red.), Take Place. . Amsterdam: Valiz. 165-189.
  • Eck C.A. van (2009), Figuration, tectonics and animism in Semper’s Der Stil’, Journal of Architecture 14(3): 325-39.
  • Eck C.A. van. Inigo Jones on Stonehenge. Architectural Representation, Memory and Narrative. Amsterdam. [oratie].
  • Eck C.A. van. Inigo Jones reconstrueert Stonehenge. Architectuurgeschiedenis tussen memoria en actio. Amsterdam. [oratie].
  • Eck C.A. van (2008), Architectural Theory, Systematicity and Living Presence. In: Elkins J. & Williams R. (red.), Renaissance Theory. New York/Amsterdam: Routledge. 385-394.
  • Eck C.A. van (2007), Classical Rhetoric and the Arts in Early Modern Europe. Cambridge/New York: Cambridge University Press.
  • Eck C.A. van (2007), Statecraft or stagecraft? English paper architecture in the 17th century. In: Bonnemaison S. & Macy C. (red.), Festival Architecture. London/New York: Routledge. 113-129.
  • Eck C.A. van (2006), Artisan Mannerism: 17th-Century Rhetorical Alternatives to Sir John Summerson's Formalist Approach. Salmon F. (red.), Summerson and Hitchcock: Centenary Essays on Architectural Historiography. Conference to celebrate the work of Sir John Summerson and Henry-Russell-Hitchcock, Paul Mellon Centre for Studies in British Art, London, June 2004.. New Haven/London: Yale University Press. 85-105.
  • Eck C.A. van (2006), Longinus' Essay on the Sublime and the "Most Solemn and Awfull Appearance" of Hawksmoor's Churches, Georgian Group Journal 15: 1-7.
  • Eck C.A. van (2006) Nineteenth-Century Architecture and Theory. Bespreking van: Hvattum M. (2004), Gottfried Semper and the Problem of Historicism. Cambridge/New York: Cambridge University Press. Journal of the Society of Architectural Historians 65: 136-138.
  • Eck C.A. van (red.) (2005), Dealing with the Visual. Art History, Aesthetics and Visual Culture. Aldershot: Ashgate.
  • Eck C.A. van (2004), Understanding Classical Architecture from Bötticher to Warburg. Christiansen H. & Hvattum M. (red.), Tracing Modernity. . Londen: Routledge. 135-152.
  • Eck C.A. van (2003), British Architectural Theory: An Anthology of Texts 1540-1750. Aldershot: Ashgate.
  • Eck C.A. van (red.) (2002), Germain Boffrand, Book of Architecture. Translated by David Britt, introduced and edited by Caroline van Eck. Aldershot: Ashgate.
  • Eck C.A. van (2002), Rhetorical Categories in the Academy. In: Smith P. & Wilde C. (red.), A Companion to Art Theory. Oxford: Blackwell. 104-116.
  • Eck C.A. van (2002), Visual and Verbal Abstraction: visual techniques of representation in Italian Renaissance Theories of Architecture. Anderson C. & Koehler K. (red.), The Built Surface. Volume I: Architecture and the Pictorial Arts from Antiquity to the Enlightenment. . Aldershot: Ashgate. 162-180.
  • Eck C.A. van (2001) Boekbespreking. Bespreking van: Hart V., Hicks P., Wohl H. & Payne A.A. (1998||), Paper Palaces. The Rise of the Renaissance Architectural Treatise|The Aesthetics of Italian Renaissance Art|The Architectural Treatise in the Italian Renaissance. New Haven/London||: Yale University Press||. Art Bulletin 83: 145-150.
  • Eck C.A. van (2001), The Case for the Internal Spectator: Aesthetics or Art History?. Gerwen R. van (red.), Richard Wollheim on the Art of Painting. . Cambridge/New York: Cambridge University Press. 200-215.
  • Eck C.A. van (2001), "The Splendid Effects of the Imaginations and its Power to Affect the Mind": The working of Picturesque association. In: Birksted J. (red.), Landscapes of Memory and Experience. Londen: Routledge. 245-259.
  • Eck C.A. van (2000), Language, Rhetoric and Architecture in De re aedificatoria. Clarke G. van & Crossley P. (red.), The Language of Architecture: Constructing Identity in European Architecture, 1000-1600. . Cambridge/New York: Cambridge University Press. 99-118.
  • Eck C.A. van (2000), "Ons doel is om de dingen te tonen zoals ze zijn, niet om te leren schilderen": Architectuurtheorie tussen wetenschap en ontwerptheorie in de late 16e eeuw, Tijdschrift voor Theoretische Geschiedenis 1: 197-210.
  • Eck C.A. van (2000), The Retrieval of Classical Architecture in the Quattrocento: the role of Byzantine and Humanist Observers. Reinink W. & Stumpel J. (red.), Memory & Oblivion. Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1-7 September 1996. . Dordrecht: Kluwer Academic Publishers. 231-239.
  • Eck C.A. van (1998), Giannozzo Manetti on Architecture: the Oratio de saecularibus et pontificalibus pompis in consecratione basilicae Florentinae of 1436, Renaissance Studies 12: 449-475.
  • Eck C.A. van (1998), The Structure of Alberti's De re aedificatoria Reconsidered, Journal of the Society of Architectural Historians 56: 280-297.
  • Taylor P. & Eck C.A. van (1997), Piero della Francesca's Giants, Journal of the Warburg and Courtauld Institutes 60: 243-247.
  • Eck C.A. van, Hermans L. & Zwijnenberg R. (red.) (1996), Leon Baptista Alberti, Over de Schilderkunst. Vertaling Lex Hermans, inleiding en commentaar C.A. van Eck en R. Zwijnenberg. Amsterdam: Boom.
  • Eck C.A. van (1995), "Par le style on atteint au sublime": The Meaning of the Term 'Style' in French Architectural Theory of the late 18th Century. Eck C.A. van, McAllister J. & Vall R. (red.), The Concept of Style in Philosophy and the Arts. . Cambridge/New York: Cambridge University Press. 89-108.
  • Eck C.A. van, McAllister J.W. & Vall R. van de (red.) (1995), The Concept of Style in Philosophy and the Arts. Cambridge/New York: Cambridge University Press.
  • Eck C.A. van (1994), "Bevrijd uit de boeien en ketenen van het verleden": Michelangelo's Biblioteca Laurenziana, Krisis: tijdschrift voor actuele filosofie 55: 30-44.
  • Eck C.A. van (1994), Organicism in 19th-century Architecture: An Inquiry into its Theoretical and Philosophical Background. Amsterdam: Architectura & Natura Pers.

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