Research report January 2020. Supported by the lectorate ‘Music, Education and Society’, research group ‘Making in Music’, Royal Conservatoire The Hague

From The Cognitive Continuum of Electronic Music:

How do we experience electronic music? How does electronic music operate on perceptual, cognitive and affective levels? What are the common concepts activated in the listener’s mind when listening to electronic music? Why and how are these concepts activated?

This thesis proposes multiple paths towards the development of a performance practice in Computer Music.

This dissertation explores various perspectives on the term immersion, and its relation with, and transformation through, a composer’s practice.

The principal aim of this research is to explore the confrontation between voice and electronics. These are often seen as being radically different from one another and many characteristics seem to be in opposition between them. However, they also have characteristics in common and they can influence…

Sonorous phenomena are always on the verge of becoming something else. As it unfolds, sound constitutes spaces, mediates presence, articulates time. Furthermore, it may prompt emotions, generate awareness, organise patterns of behaviour or trigger a sense of belonging. As sound becomes audible, it is…

Arts and Culture, Online event

In October 2014 a new publication on artistic research has been launched. The book is called Artistic Experimentation in Music. An Anthology, edited by Darla Crispin and Bob Gilmore, and published by Leuven University Press.

Practicum Musicae (PM) is a programme specially developed for students of Leiden University with a talent for music.

Justin Bennett teaches in the Institute of Sonology of the Royal Conservatoire (KC) in the Hague. He is also a member of Jubilee, a platform for artistic research and production in Brussels.

Leiden University College The Hague offers Bachelor of Arts and Bachelor of Science degrees in Liberal Arts & Sciences that focus on the global challenges of today: Peace & Justice, Sustainability, Prosperity, and Diversity.

On 14th April the ARC session Sound, Technology and Listening, dedicated to the presentation of work carried out at the Institute of Sonology at the Royal Conservatoire, took place through an online public platform. Four students from the second-year research master's at the Institute of Sonology did…

Richard Barrett has launched a new digital music label on Bandcamp.

Multi-channel sound and video installation of the on-going project: Decomposing Landscape (2014 -).

On 23 March a Sonology concert took place in the Arnold Schönbergzaal at the Royal Conservatoire, dedicated to Gabriel Paiuk’s The Construction of an Imaginary Acoustic Space, a composition for ensemble and electronics performed by New European Ensemble.

A new chair has been added to the partnership between Leiden University and the Royal Conservatoire The Hague. Richard Barrett has been appointed Professor of Research in Creative Music (ACPA) as of 1 December 2020. 'For me it is important that music and academia are not placed in an ivory tower.'

ARC (art_research_convergence) is an outreach initiative of Leiden University Academy of Creative and Performing Arts, and the University of the Arts The Hague, for the active communication of artistic research.

Do the sounds that surround you as you cycle through the city sometimes annoy you? Don’t worry, because we can actively change the situation, says sound expert Edwin van der Heide. Students in his Honours Class are actively shaping the sound of the city.

Arts and Culture, ARC

Arts and Culture