1,094 search results for “music” in the Public website
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The Palestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity
Before 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. In this dissertation, Issa Boulos has examined historical records that revealed many differences and similarities between Palestinian communities…
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Articulating Modernity: The Making of Popular Music in 20th Century Southeast Asia and the Rise of New Audiences.
Who were the main artists and producers who generated new forms of popular music? What was the music like that was produced by artists in particular urban settings? How were particular lifestyles articulated to identify new audiences and what does this reveal about the way popular music contributed…
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Book: Sonic Modernities in the Malay World, A History of Popular Music, Social Distinction and Novel Lifestyles (1930s – 2000s)
Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern.
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The pathways of music improvisers
Improvisers in experimental music do not record their music in a conventional score, but in ever-changing 'tactile pathways'. This is the proposition put forward by researcher Christopher Williams. PhD defence 13 December.
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Creating and Re‐creating Tangos: Artistic Processes and Innovations in Music by Pugliese, Salgán, Piazzolla and Beytelmann
In this dissertation the author digs into the constituent elements of River Plate tango in order to decode how specific musical materials were organized and combined by four outstanding musicians: Pugliese, Salgán, Piazzolla and Beytelmann.
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Music and the Brain
Two events on Music and the Brain will be held in Leiden later this month.
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Giuliano Bracci
Faculty of Humanities
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Book: Music of Possibility
Music of Possibility is a personal account of what, for composer Richard Barrett, are the most consequential areas of twentieth- and twenty first-century musical innovation, and how, together with a web of technologies, cultures and politics, they have informed his creative practice.
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Siamak Anvaritutunchi
Faculty of Humanities
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Tactile Paths: on and through notation for improvisers
Tactile Paths is an artistic research project that aims to expand and articulate the feedback between notation and improvisation in experimental music.
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The Informed Performer- Towards a bio-culturally informed performers’ practice
Playing a musical instrument is generally considered to be a complex human behaviour involving the integration and coordination of a broad range of human functions such as perception, imagination, memory, information processing, emotion, communication, and dexterity.
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Arend Strootman
Faculty of Humanities
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The ACPA launches MOOC Music & Society
Leiden University Academy of Creative and Performing Arts (ACPA) launches the open online course Music & Society on Coursera to advance worldwide access to high-quality education. The course starts on January 9, 2017 and will be taught by Prof. dr. Marcel Cobussen and drs. Hafez Ismaili M’hamdi.
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docARTES
docARTES is a doctoral programme for performers and composers. It offers a unique environment for critical reflection on musical practice.
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Marcel Cobussen Lecture: What can music offer our contemporary society?
ACPA Professor of Auditory Culture and Music Philosophy Marcel Cobussen will give a lecture at the Gaudeamus Academy Workshop Weekend. The GMW Academy is a prelude to the contemporary music festival Gaudeamus Muziekweek, taking place from 7 to 11 september in diverse venues within the center of Utr…
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creative thinking and experimenting in the performance practice of complex music from 1962-today
The thesis wishes to examine the pathways of thought underlying the creative act of music making and the performance practice of complex music from the late twentieth and early twenty-first century.
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The Musical Work, Free Improvisation, and Live Electronics: Towards an Integrated Musical Paradigm.
Composer, bass player and ACPA alumnus Ilya Ziblat Shay presented a paper at the Music Weekend and Midlands New Music Symposium, organised by Nottingham Forum for Artistic Research.
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theories of Moses Mendelssohn and Johann Georg Sulzer in the Berlin salon music of the 1750–80’s
My research focuses on theories of the sublime by the Berlin Enlightenment philosophers Moses Mendelssohn (1729–86) and Johann Georg Sulzer (1720–79).
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MOOC Music & Society starts October 16
MOOC Music & Society
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Lecture series “Early Music as Discipline”
In a series of six lectures, Jed Wentz, the Utrecht Early Music Festival’s artistic adviser, will acquaint you with subjects central to the developments in early music worldwide. First lecture starts 15 October!
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‘Music has so many positive effects’
This year, Leiden University celebrates its 444th birthday – and when you’re giving a party, you need great music! Neuropsychologist Rebecca Schaefer agrees. She has been fascinated by music since she was a child, and now she studies how music can make us happy, give us energy or calm us down.
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Book launch ‘The promise of music’
Over the past year, the lectorate ‘Music, Education & Society’ has worked on a publication with contributions from students and staff from the KC called 'The promise of music'.
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New digital music label Strange Strings
Richard Barrett has launched a new digital music label on Bandcamp.
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Kick-off MOOC Music & Society
On January 9 the ACPA kicked off their first MOOC Music & Society. And with 1700 (!) applicants we dare to say it is a success!
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The ‘harpe organisée’, 1720‐1840, Rediscovering the lost pedal techniques on harps with a single‐action pedal mechanism
The “harpe organisée”, 1720-1840: Rediscovering the lost pedal techniques on harps with a single-action pedal mechanism, is the title of Maria Christina Cleary's PhD thesis. This is the first monographic study on harp pedal techniques, tracing the historical way to pedal on the early pedal harps with…
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Extended piano techniques : in theory, history and performance practice
Playing the piano with your forearm, plucking the strings, sawing through the piano: pianist Luk Vaes's doctoral dissertation covers all the techniques of play for which a piano is NOT designed. His defence ceremony will consist of three concerts and a public defence. 'Musicians were using the interior…
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Harmonic duality : from interval ratios and pitch distance to spectra and sensory dissonance
This dissertation derives from the development of tools for algorithmic composition which extract pitch materials from sound signals, analyzing them according to their timbral and harmonic properties, putting them into motion through diverse rhythmic and textural procedures.
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In Search of a Lost Language: Performing in Early-Recorded Style in Viola and String Quartet Repertoires
How might viola and string quartet playing in the performer-centered, moment-to-moment and communicative style heard on early recordings be brought about today?
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The amorphous 6-string
This research intents to redefine the limits of the electric guitar.
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La Cetra Cornuta : the Horned Lyre of the Christian World
What was the stringed instrument known in medieval and early Renaissance Italy as “cetra”?
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Rebecca Schaefer on 'Learning with music can change brain structure'
Using musical cues to learn a physical task significantly develops an important part of the brain, according to a new study co-authored by Leiden psychologist Rebecca Schaefer. The results are published in the journal Brain & Cognition.
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Online college at ACPA with MOOC Music & Society
The Leiden University Academy of Creative and Performing Arts (ACPA) will start in January 2017 with their first MOOC through Coursera: Music & Society. MOOC stands for massive open online course and is a relatively new phenomenon of open access and free internet education in the United States. Big…
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Music: listening through analysis, 2nd semester starts March 23
Through the Academy of Creative and Performing Arts, multiple gifted bachelor and master students of Leiden University and the University of the Arts The Hague can fully develop both their artistic and academic talents by choosing academic or artistic minors or electives.
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Musical interlude dies natalis performed by Practicum Musicae-students
On February 8 the 443rd dies natalis will take place in the Pieterskerk in Leiden.
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Leiden University hosts Music and Cultural Analysis reading group
In 2016, Leiden University hosts the monthly meetings of the Music and Cultural Analysis reading group.
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Michelle Spierings aims for Klokhuis Wetenschapsprijs with musicality animals
Tapping to a rhythm, recognizing sound patterns and enjoying music: For people, it is common sense. But is this also the case for animals? It is the research topic of Michelle Spierings, a researcher at the Institute of Biology Leiden, and it is nominated for the Klokhuis Wetenschapsprijs.
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Documentary: PhD candidate reproduces indigenous music from the Amazon
PhD candidate Magda Pucci studied indigenous music in Brazil. She and her group Mawaca travelled through the Amazon and played with peoples there such as the Paiter Suruí, Kayapó, Ikolen-Gavião and the Huni-Kuin. PhD defence on 19 March.
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free e-pub: The Field of Musical Improvisation.
Prof. dr. Marcel Cobussen has published a free e-pub: The Field of Musical Improvisation.
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(Re)positioning Modern Concert Music In Contemporary Society
In 2016, Marcel Cobussen successfully applied for two trainee positions at ACPA, funded by the Humanities Research Traineeship Programme at Leiden University. One of the results, a multi-media essay 'In Search of the Public. Exploring Contemporary Performance Practices of Classical Music in The Netherlands'…
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Lecture “Speed in Music, Brain and Body” at Café Chercher
ACPA’s PhD candidate and composer/flutist Ned McGowan will give a lecture at Café Chercher on March 27 called Speed in Music, Brain and Body.
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Gabriel Paiuk guest speaker at UNM – Young Nordic Music Days
ACPA PhD Candidate Gabriel Paiuk will be guest speaker at the coming UNM – Young Nordic Music Days to take place in Aarhus, Denmark in August 2021.
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The Receiver Grows Restless: Perceiving and projecting musical silence
On November 5, 2021, Guy Livingston will present at an International Colloquium at the University of Lorraine (France), entitled:
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Rebecca Schaefer: 'Music and science bring people together'
Rebecca Schaefer received the new science communication grant for the SNAAR Festival in December 2020. With the festival, Schaefer wants to make music and science accessible to a wide audience. How exactly? That's what she tells in this issue of Humans of Psychology.
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A musical celebration of the 440th dies natalis
On the occasion of the 440th DIES NATALIS, celebrated on Monday 9 February, Leiden University proudly awarded an Honorary Doctorate to William Christie, renowned harpsichordist, conductor, musicologist and teacher, and the foremost pioneer in the renewed appreciation of Baroque music in France, notably…
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Relaunch MOOC: 'The Importance and Power of Music in our Society'
This Spring we relaunched our free online course The Importance and Power of Music in our Society.
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Azure Hiptronics release single and music video 'Ocean's Edge'
Apart from his activities as coordinator of the Academy of Creative and Performing Arts, Rogier Schneemann is co-founder, guitarist and composer of the Dutch-Italian group Azure Hiptronics, originally formed in 2006.
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Thinking through the guitar: the sound-cell-texture chain
The present study aims to establish and develop guidelines for effective use of the classical guitar’s scoring potential.
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Why we always choose the same songs for the Top 2000
As the year draws to a close, many music lovers are looking forward to the Top 2000. How high is their favourite song and who is number one? But the list is often very predictable and the same songs are always in the top 10. According to neuropsychologist and associate professor Rebecca Schaefer, it’s…
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Case study Käte van Tricht (1909-1996)
The Organ Art of the first female German concert organist and Bremen Cathedral organist and
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‘Ūd Taqsīm as a Model of Pre-Composition
In this research project Nizar Rohana analyzes and reflects on taqsīm recordings by two leading figures of ‘ūd playing who were pillars of modern Arabic music, namely the Egyptians Muḥammad al-Qaṣabjī (1898-1964) and Riyāḍ al-Sunbāṭī (1906-1981).