Understanding the nature, characteristics and function of the secular vocal intabulations and dances found in Italian printed keyboard sources in the 16th century

The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.

The research projects takes a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.

The results of this research project demonstrate the generous contribution that the Dutch Republic has made to the genre of basso continuo, including a survey of twenty-six Dutch sources from the 17th and 18th centuries.

Between 1600 and 1800 countless manuals appeared on the subject: the improvised bass part on the harpsichord, pianoforte or organ. Musician and researcher Kathryn Cok unravels the secrets of the Dutch basso continuo accompaniment for modern-day musicians.

The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications) and the end of XVIII century.

ACPA alumna Nicoleta Paraschivescu has released her CD -PARTIMENTI NAPOLETANI, a musical complement to her book Paisiellos Partimenti: Wege zu einem praxisbezogenen Verständnis (SCBS 6), soon to be published by Schwabe Verlag in Basel.

Activities of Magda Dourado Pucci, Dick de Graaf, Henri Bok, Catalina Vicens, Patrizia Bovi, k.g. Guttman, Andrea Stultiens, and Lilo Nein

Leiden University Professor and world renowned Bach specialist Ton Koopman returned to the San Francisco Symphony for two weeks of concerts celebrating J.S. Bach and his legacy.

In this new four CD box set release sonatas of the relatively unknown French composer Jean Daniel Braun have been recorded by ACPA's Jed Wentz and Dutch ensemble Musica ad Rhenum.

On April 13 2018 during the Arts Festivals Summit in Ljubljana, Prof. Frans de Ruiter has been appointed Honorary Member of the European Festivals Association, of which he has been President for 14 years.

Arts and Culture, Concert/ artistic presentation as part of PhD Defence

Activities of Nizar Rohana, Catalina Vicens, Andrea Stultiens, Shaya Feldman, Jack Segbars, Karen Lohrmann, Patrizia Bovi, Susan Williams, Giuliano Bracci, and Eleni Kamma

In this new column, colleagues share stories and experiences about working and living abroad. The first story is written by Marie-Agnes Dittrich, guest lecturer at the Institute for History. She is a musicologist at the University of Music and Performing Arts in Vienna. Below, she tells about her experience…

It was her original Salterio from 1725, built by Michele Barbi, which Franziska Fleischanderl could coincidentally acquire in 2014 that ignited her passion for this special string instrument. Before, she was focussed on contemporary music with modern Hackbrett.

Since 2009, at ACPA, 69 candidates received their PhD in Creative and Performing Arts. On this page you will find an overview of ACPA's alumni.

Arts and Culture, Concert/artistic presentation as part of PhD Defence

Ten students at Leiden University were awarded a scholarship by the VSB Foundation, during a festive event in the Hortus Botanicus on 8 June. This scholarship will allow them to take a master's, or a second master's, or carry out a research project abroad. Who are they and what will they be doing?