On 25 Februarry 2021 Hart Bloomsbury brings out a monograph by Frans-Willem Korsten: Arts as an Interface of Law and Justice: Affirmation, Disturbance, Disruption. Its working title was 'Annoyance' but that did not sell. A sign in itself; most struggles for justice have been considered as annoying.

Subproject of

Digitally Preserving Heritage at Risk

This project investigates memorisation strategies that were employed in the fields of painting and calligraphy in imperial China, with a focus on the Ming (1368-1644) and Qing (1644-1911) dynasties.

Staging the Archive: Art and Photography in the Age of New Media is dedicated to art practices that mobilize the model of the archive, demonstrating the ways in which such archival artworks probe the possibilities of what art is and what it can do.

The eighth issue of the JLGC explores the diverse and interdisciplinary research on our multifaceted relationship with animals which is currently taking place, re-examining the relationship between humans and animals, and the definitions involved.

The Benelux Association for the Study of Art, Culture, and the Environment (BASCE) is a platform for all those who are actively engaged in ecocriticism to discuss their various endeavours with peers from different disciplines and an array of intellectual, creative, or activist pursuits.

This dissertation deals with Hegel’s theory of the sublime (das Erhabene). I focus specifically on die heilige Poesie (sacred poetry), a form of art that he identifies with the Judaic Psalms and which I claim to be the core of Hegel’s approach to sublimity. I claim that Hegel’s apparent lack of interest…

Dr. Joanita Vroom (Near Eastern and Mediterranean archaeology) has been invited to join the prestigious French POMEDOR Project as co-applicant and regional coordinator for Greece and Turkey. The POMEDOR Project focusses on the interaction between population, pottery and food in the Medieval Eastern…

Subjects Barbarian, Monstrous, and Wild responds to a contemporary political climate in which historically invested figures of otherness—barbarians, savages, monsters—have become common discursive currency.

Ms. Monica Klasing Chen defended her thesis on 16 December 2020

The first of the two volumes of this co-authored study has just been published by Metzler. The study explores the history of the concept ‘barbarism’ from the 18th century to the present and illuminates its foundational role in modern European and Western identity.

This study is an attempt to reconstruct the muted violent past by breaking the monopoly of the Turkish state over the memory of the Armenian genocide.

The KM3NeT neutrino detector celebrates the installation of the first string of detectors in the Mediterranean Sea off the French coast. It will measure neutrinos’ spooky spontaneous change in flavor. Leiden physicist Dorothea Samtleben is closely involved in the project.

On 1 November, Stijn Bussels assumed his role as professor of Art History, especially before 1800 at Leiden University. The chair is located at the Leiden University Centre for the Arts in Society (LUCAS).

Two statues of gorillas abducting women: they were what led PhD candidate Dick van Broekhuizen to write a new type of history of nineteenth-century sculpture. ‘If you view nineteenth-century art history from a less narrow perspective, the narrative changes completely.’ PhD ceremony on 21 June.

The transformation of the myriad of medieval kingdoms, principalities, local lordships, city-‘states’ and peasant ‘republics’ into ‘modern’ states, claiming some measure of sovereignty, remains one of the core themes of European history, because it gets down to the very root of the (idea on the) Europe…

On 1 January Minna Valjakka was appointed Professor of Contemporary Art History and Theory from a Global Perspective. Valjakka sees her appointment as 'extremely topical' because of the discussions about the decolonisation of the arts: 'Art teaches us not just about art, but also about contemporary…

ACPA Professor of Auditory Culture and Music Philosophy Marcel Cobussen and ACPA PhD Supervisor Vincent Meelberg are, together with composer and Simon Fraser University Professor Barry Truax, editors of the recently published Routledge Companion to Sounding Art.

On the 22nd of April, Liszt Vianna Neto successfully defended a doctoral thesis and graduated. The Leiden University Centre for Linguistics congratulates Liszt Vianna Neto on this achievement.

Three Indonesian students participated in the Leiden summer school Crises in Biology. ‘In the end, we were all just one big group.’

Dina Ishak Bakhoum defended her thesis on 21 January 2021

Dutch Title:

Research in and through art is an inseparable part of the artistic or design practice of the researcher. Consequently, research-in-art (as opposed to research-about-art, such as art history) does not have a set goal or expected result, nor are there predetermined general procedures. The outcome of the…

Where in the model of contemporary art, which can be described as a hybrid and joint undertaking between artists, institutions, curators, theory and discursivity, is the actual 'object' of art located and generated? Where and by whom and in what configuration of positions is it produced? Who or what…

This doctoral trajectory explores sound, its image and its role in relating humans and our technologies to the environment.

Researchers from Leiden University, KU Leuven and Paris II compared the French legislative proposal with the Dutch Civil Code. They published their findings in the Revue internationale de droit comparé (RIDC). Some recommendations have been adopted by Jean-Jacques Urvoas, the Minister of Justice.

Steven Frost defended his thesis on 6 June 2017

The recent rise in global migration movements and the simultaneous attempts to prevent migrations to the Global North in general and Europe in particular have produced numerous images and narratives that try to record and convey these events and their actors.

How can we view societal challenges from a different perspective? At the EuroScience Open Forum (ESOF), Robert Zwijnenberg, Emeritus Professor of Art and Science Interactions, will call for more collaboration between artists and scientists.

Bruno Munari (1907–1998) was a prolific and influential artist, designer, and writer. Alessandro Colizzi’s study is the first extensive, detailed record of Munari’s graphic design production, and as such provides a substantial base for a full understanding of his oeuvre.

In his Inaugural lecture of February 10th Prof. dr. Henk Borgdorff advocated positive understanding of artistic research, of reasoning in and through art, within academia.

A new outreach initiative for the communication of artistic research!

The subject of the research is ‘difference and repetition’, an area which bears a direct relationship to Wjm Kok’s practice, in which the production of work always emerges and passes through series.

On the initiative of Leiden Law School’s Art Committee, the festive opening of the photo exhibition of the Leiden Amateur Photographic Society (LAFV) took place on Friday 20 May 2022 in the C corridor of the Kamerlingh Onnes Building.

Barbarism: from the 18th century to the present.

On Thursday 12 October 2017 Janneke Wesseling will give a lecture as part of the Studium Generale Programme at Eindhoven University of Technology (TU/e).