1,519 search results for “brazilian indigenous music” in the Public website
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CANTOS DA FLORESTA (FOREST SONGS) - Exchanging and Sharing Indigenous Music in Brazil
How is it possible to play a song that is part of the rituals of other people? How to transpose an idea to the stage while maintaining respect for indigenous communities? Are these performances a way of throwing light on these indigenous communities looking for a strategy of decolonization? How is it…
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Heritage and Rights of Indigenous Peoples
The heritage of Indigenous Peoples has long been researched and commented upon from the outside. This book adopts an innovative approach by engaging with the heritage of Indigenous Peoples from the ‘inside’.
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The Brazilian Economy: Confronting Structural Challenges
The Brazilian economy has long been defined by its enormous potential. Over the past 30 years, some of this has at last been realised. Latin America’s largest economy has rapidly risen in global importance while poverty at home has declined. Yet, despite periods of progress, Brazil remains prone to…
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Music Cognition
Knowledge and culture subproject 1:
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Media, Indigeneity and Nation in South Asia
How do videos, movies and documentaries dedicated to indigenous communities transform the media landscape of South Asia? Based on extensive original research, this book examines how in South Asia popular music videos, activist political clips, movies and documentaries about, by and for indigenous communities…
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Time and Identity in Indigenous Narrative and Aesthetic Strategies
This research hopes to contribute to social awareness of the consequences of colonialism for Indigenous Peoples, to the deconstruction of still existing colonial and discriminatory notions and to a better appreciation of Indigenous art and thought.
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Indigenous Peoples preserved
Indigenous Peoples possess rich worldviews and unique knowledge that form part of our global heritage. Oppressing these peoples and violating their natural environment is leading to the destruction of this knowledge. Leiden researchers aim to counter this through collaborating with Indigenous Peoples…
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Materialization of fixed media music- Towards performance/interpretation of fixed media electroacoustic music
What are the critical elements in sonic materialization of fixed media electroacoustic music and how can these parameters be classified? How would interpretation be defined in performing fixed media music? What are the creative and new ways of presenting fixed media music by incorporating all the presentation…
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Heritage of Indigenous Peoples
The Heritage and rights of indigenous peoples focuses on the living heritage of indigenous peoples and its safeguarding, connecting the past and the present in local communities.
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Centre for Indigenous America Studies
The Centre for Indigenous America Studies (CIAS) at Leiden University is designed to coordinate and promote the teaching and research of Indigenous languages, literatures, cultures and cultural heritage.
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Popular Music in Southeast Asia
From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular…
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Centre for Indigenous Americas Studies
The Centre for Indigenous America Studies (CIAS) at Leiden University is designed to coordinate and promote the teaching and research of Indigenous languages, literatures, cultures and cultural heritage.
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Humiliating the Brazilian poor: The iconoclasm of former president Lula
Circulating in Brazil's social media today are many vicious attacks against presidential candidate Luiz Inácio Lula da Silva, known simply as Lula. Widely and enthusiastically shared memes humiliate Lula by depicting him as a poor, uneducated drunkard who deserves to be in jail, thus criminalizing his…
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BRASILIAE. Indigenous Knowledge in the Making of Science: Historia Naturalis Brasiliae (1648).
Investigating the intercultural connections that shaped practices of knowledge production in colonial Dutch Brazil.
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Improvisation in 19th-century music
Which role did improvisation play in 19th-century music making?
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The cognitive continuum of electronic music
How do we experience electronic music? How does electronic music operate on perceptual, cognitive and affective levels? What are the common concepts activated in the listener’s mind when listening to electronic music? Why and how are these concepts activated?
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The Cognitive Continuum of Electronic Music
From The Cognitive Continuum of Electronic Music:
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Music Studio
The music studio is a multipurpose room measuring 9.4 x 8.9 m, with marmoleum on the floor and 40 chairs. Music system and piano available. Cost of rental studios: Students*: € 10,- per uur Employees UL: € 20,- per hour Others: € 30,- per uur (a daypart of 4 hours zost € 95, a daypart of 8 hours…
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Group interests: rights of indigenous peoples
Industrialised countries extract natural resources in the territories of indigenous peoples, and appropriate the knowledge and culture of these peoples. Leiden anthropologists work to protect the rights of indigenous peoples. Their knowledge and advice enable governments to source sustainable produc…
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Singing & Music
The Leiden Academic Course Center offers a large variety of short and longer music courses. The music category includes various Singing courses, but also courses such as African percussion and Musical Workshop. A number of courses are offered at different levels. At the end of the course it is possible…
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Between air and electricity: microphones and loudspeakers as musical instruments
My research takes the artistic use of the devices that bring sound waves into electricity and back as its central focus point; they are commonly called microphones and loudspeakers. These devices have become essential for many forms of music making.
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Indigenous ancestors and healing landscapes
In Indigenous Ancestors and Healing Landscapes Jana Pešoutová presents new interpretations of current healing practices in Cuba and the Dominican Republic juxtaposed against the European colonization of the Caribbean after 1492.
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Between air and electricity : microphones and loudspeakers as musical instruments
This thesis investigated how microphones and loudspeakers could become musical instruments.
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Archaeology and Indigenous Sovereignty in Darién, Panama
The Darién region of Panama is the only land bridge connecting North, Central and South America. Nowadays home to descendants of African enslaved peoples, Indigenous peoples (Emberá, Wounaan, and Guna), and mestizos, Darién has been and still is fundamental to connectivity, cultural interchange, and…
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Indigenous cultural heritage and intellectual property
Challenges for the protection of traditional knowledge and genetic resources, traditional cultural expressions, and traditional knowledge of indigenous peoples in the international scenario.
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Disseminating the knowledge of Indigenous Peoples
Together with members of indigenous communities Leiden researchers preserve and disseminate philosophical, historical and medical knowledge.
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Minor Music Studies
Music as a multi-faceted and integral part of our society.
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Music and Health
How can musical interactions impact neural and behavioral processes? Can we isolate aspects of musical interactions that are crucial to the effectiveness of music-based health interventions? Can specific patient groups be identified for whom music-based interventions are most likely to be effectiv…
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Restructuring Classical Music
How can classical music be restructured while still retaining the core of what we love about its repertoire and our ability to share it with audiences, while coming up with ways of making it financially viable.
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Musical Workshop (intermediate/advanced)
Arts and leisure, Arts and leisure
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Early Music Beyond Authenticity
Interpretation and Composition Outside the Work Concept
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THE PRONUNCIATION OF MUSIC - A matter of expression
The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications) and the end of XVIII century.
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Educational practices in promoting awareness of the indigenous heritage in Caribbean countries
The main research question of this PhD project focus on how educational policies and practices can contribute to the promotion and understanding of archaeological indigenous heritage among teachers and students in the Caribbean?
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Crossing boundaries in improvised music
Developing new methods for performing improvised music
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Multiple paths. Towards a performance practice in computer music
This research project proposes multiple paths towards the development of a performance practice in computer music. It starts with the author’s transition from traditional instrumentalist to electronic musician, assessing the roles of composer, performer and instrument builder as integrated in computer…
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Economic value of non-timber forest products among Paser Indigenous People of East Kalimantan
Promotor: G.A. Persoon, Co-promotor: H.H. de Iongh
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Multiple Paths. Towards a Performance Practice in Computer Music
This thesis proposes multiple paths towards the development of a performance practice in Computer Music.
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Composed performers: the music-performing body from a compositional perspective
Based on recent scientific insights and both historical and recent music examples, the author develops a concept of 'intercorporeality' that sheds new light on the relationship between music performers, composers and music consumers.
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Indigenous adornment in the circum-Caribbean
The production, use, and exchange of bodily ornaments through the lenses of the microscope
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UN Declaration on the Rights of Indigenous Peoples
In 2007, a number of countries signed the UN Declaration on the Rights of Indigenous Peoples. In collaboration with academics and activists in the field, Leiden researchers help to bring these agreements to life. They are mapping indigenous languages for educational purposes and defending the rights…
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Composed Performers: The music-making body from a compositional perspective
Composer Paul Craenen (1972) is actually a pianist, but as part of his PhD ceremony, he performed a composition on PVC pipes. Craenen studies the position and role of the body in music. ‘I am interested in what precedes the resulting sound’.
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Finding one’s own voice as an indigenous filmmaker
In this dissertation Itandehui Jansen examines the ‘Voice’ of the filmmaker from a political and aesthetic perspective.
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NIA - Music, Movement, Magic (online)
Arts and leisure, Arts and leisure
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tools, functions and potentials of speed within rhythmical frames in music
What are the precise identities, possibilities and current practice examples of the various time frames in music and what bearings do they have individually and in combinations on the speed of the music?
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Tracing interactions in the indigenous Caribbean through a biographical approach
Much attention has been paid to the exchange of objects, ideas, and people in the Caribbean. Networks of interaction connected local communities across pan-regional scales, shaping indigenous socio-political integrations and their responses in colonial situations. This work examines the poorly understood…
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PRE-Class Popular Music: Selling Rebellion
The course Popular Music: Selling Rebellion offers a unique opportunity to explore the popular music world from the point of view of its relation to both politics and the industry.
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Artistic Experimentation in Music – An Anthology
In October 2014 a new publication on artistic research has been launched. The book is called Artistic Experimentation in Music. An Anthology, edited by Darla Crispin and Bob Gilmore, and published by Leuven University Press.
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Relative pitch in music and language
Knowledge and culture subproject 1:
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Documentary: PhD candidate reproduces indigenous music from the Amazon
PhD candidate Magda Pucci studied indigenous music in Brazil. She and her group Mawaca travelled through the Amazon and played with peoples there such as the Paiter Suruí, Kayapó, Ikolen-Gavião and the Huni-Kuin. PhD defence on 19 March.
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The music of language: exploring grammar, prosody and rhythm perception in zebra finches and budgerigars
Promotor: C.J. ten Cate