The results of this research project demonstrate the generous contribution that the Dutch Republic has made to the genre of basso continuo, including a survey of twenty-six Dutch sources from the 17th and 18th centuries.

Between 1600 and 1800 countless manuals appeared on the subject: the improvised bass part on the harpsichord, pianoforte or organ. Musician and researcher Kathryn Cok unravels the secrets of the Dutch basso continuo accompaniment for modern-day musicians.

The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.

The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.

The research projects takes a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.

docARTES is a doctoral programme for performers and composers. It offers a unique environment for critical reflection on musical practice.

What was the name, the appearance, development and the playing technique of the cello in the Low Countries between 1600 and 1800 and what music was composed for it?

What was the name, the appearance, development and the playing technique of the cello in the Low Countries between 1600 and 1800 and what music was composed for it?

Arts and Culture, Concert/ artistic presentation as part of PhD Defence

In this new four CD box set release sonatas of the relatively unknown French composer Jean Daniel Braun have been recorded by ACPA's Jed Wentz and Dutch ensemble Musica ad Rhenum.

Arts and Culture, Concert/artistic presentation as part of PhD Defence

How to reconstruct the middle parts (videlicet haute-contres, tailles and quintes) from French orchestral pieces, which survived only in their reduced forms (featuring primarely dessus and continuo), according to historical examples?

Since 2009, at ACPA, 69 candidates received their PhD in Creative and Performing Arts. On this page you will find an overview of ACPA's alumni.

This project, executed by Marieke Hendriksen MA MRes, aims at an analysis of how the early modern anatomical collections of Leiden University were rooted in ideals of perfection in different fields of knowledge and expertise.

Activities of Nizar Rohana, Catalina Vicens, Andrea Stultiens, Shaya Feldman, Jack Segbars, Karen Lohrmann, Patrizia Bovi, Susan Williams, Giuliano Bracci, and Eleni Kamma