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Research
Mutable Audible – An Operative Ontology of the Sound Image
Humanities
Academy of Creative and Performing Arts
Participatory Sense-making in Physical Play and Dance Improvisation: Drawing Meaningful Connections Between Self, Others and World
Humanities
Academy of Creative and Performing Arts
PhDArts
Humanities
Academy of Creative and Performing Arts
Picturing Silence: interpreting the musical experience of silence through visual representation
Humanities
Academy of Creative and Performing Arts
POST_SIGNATURE
Humanities
Academy of Creative and Performing Arts
Prolegomena for a Jewish Musicologica
Humanities
Academy of Creative and Performing Arts
PZURA – TOWARDS DIASPORIC THINKING
Humanities
Academy of Creative and Performing Arts
Re-inventing the Nineteenth-Century Tools of Unprescribed Modifications of Rhythm and Tempo in Performances of Brahms’s Symphonies and Concertos
Humanities
Academy of Creative and Performing Arts
Ritualization of concert practice in Russian post-minimalist music
Humanities
Academy of Creative and Performing Arts
Saxophone Without Mouthpiece
Humanities
Academy of Creative and Performing Arts
Spectacle and Surveillance: The Making and Unmaking of Collective Visual History
Humanities
Academy of Creative and Performing Arts
Spiritual Corporeality: Towards Embodied Gnosis through a Dancing Language
Humanities
Academy of Creative and Performing Arts
STRUCTURAL AND EXPRESSIVE FUNCTIONS OF FLEXIBLE TREATMENT OF MUSICAL TIME, IN THE PERFORMANCE OF 19TH CENTURY MUSIC
Humanities
Academy of Creative and Performing Arts
Taking Place: Parrhesiastic practices of social transformation within local forms of theatricality
Humanities
Academy of Creative and Performing Arts
THE 8' AND 16' VIOLONE IN J. S. BACH'S MUSIC
Humanities
Academy of Creative and Performing Arts
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