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LUCIS Lecture | MENA Cultures & Global Aesthetics

Portraits of Unbelonging: Photography and the Making of Armenian Emigrants

Tuesday 5 March 2019
Free drinks after
Cleveringaplaats 1
2311 BD Leiden

Portraits of Unbelonging is the first in-depth exploration of the official role of photography in the history of Armenian emigration to the United States, one of the first examples of photography being used to police borders. It investigates Armenian families who emigrated from the Ottoman empire through a collection of one hundred photographs taken between 1905 and 1908.

Armenian Ottoman subjects received their passports on the explicit condition that they renounce their nationality and never return to the empire. Assumed to posit a potential future threat to the empire, emigrating families were photographed to create anticipatory arrest warrants intended to facilitate identification in the event of an undesired and dangerous future return. Portraits of Unbelonging is a double-sided history of migration. Like each individual photograph, the project faces two directions: the Ottoman past and an American future.  It is a history of mass migration on an intimate scale. 


About Zeynep Gürsel

Zeynep Devrim Gürsel is a media anthropologist and Associate Professor in the department of Anthropology at Rutgers University and a 2018 NOMIS Fellow at eikones Center for the Theory and History of the Image in Basel, Switzerland.  She is the author of Image Brokers: Visualizing World News in the Age of Digital Circulation (University of California Press, 2016), an ethnography of the international photojournalism industry during its digitalization at the beginning of the 21st century, based on fieldwork conducted in the United States, France and Turkey. 

Currently she is researching photography as a tool of governmentality in the late Ottoman period. Specifically, she is investigating photography during the reign of Sultan Abdülhamit (1876-1909) from medical imagery to prison portraiture to understand  emerging forms of the state and the changing contours of Ottoman subjecthood.


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