Collaborative Filmmaking Approaches in Archaeology, Heritage, and Development
- Tuesday 30 October 2018 - Wednesday 31 October 2018
- Kamerlingh Onnes Building
2311 ES Leiden
- C131 (First day), B041 (Second day)
Innovative research perspectives
This meeting will, in particular, aim to provide Bachelor, Master, Research Master, PhD candidates, and research staff from Leiden University and Erasmus University Rotterdam the opportunity to learn about innovative research perspectives and to receive training in audio-visual methods which highlight the need for collaborative work with local (often Indigenous) communities in the creation of new media.
collaborative and multidisciplinary projects) provide an opportunity but also a challenge to many archaeologists, heritage and development scholars at some point in their careers.
In light of this realization, Leiden University’ s Faculty of Archaeology, through the Centre for Indigenous Americas Studies (assistant professor Dr. Genner Llanes-Ortiz) and the Department of World Archaeology (PhD researcher Natalia R. Donner), proposes to hold a two day event focused on documentary and filmmaking perspectives as investigative tools in archaeology, heritage and development studies.
This initiative has been prepared with the support and collaboration of the following institutions:
- Leiden University - Institute of Cultural Anthropology and Development Sociology (associate professor Dr. Mark Westmoreland).
- Erasmus University Rotterdam - International Institute of Social Studies (ISS)(associate professor Rosalba Icaza).
- Cultural Heritage Agency of the Netherlands (RCE) - Maritime Programme (head, Dr. Marijn Manders).
- University of Amsterdam (UvA) - Amsterdam School for Cultural Analysis (Media Studies PhD researcher Nur Özgenalp).
The organisation of this event will raise awareness about collaborative filmmaking, and provide members of the archaeology, heritage and development research communities from Leiden and Erasmus Rotterdam Universities with theoretical, methodological, and technical tools. It will also offer a space to reflect about the necessity and advantages of working with audiovisual records in dialogues with local peoples, as well as about how media produced by community members reflect their own values and aspirations in relation to tangible but also living heritage, history and knowledge systems. Simultaneously, it will show how media produced locally and collaboratively can contribute to interpretative and representational strategies to reflect about deep history, cultural diversity and global concerns in museums, media circuits and education.
This event is sponsored by the Center for Global Heritage and Development, Archon Research
School of Archaeology and the Leiden University Funds.
Registration is only required if attending the October 31st workshop (second day). Attendance to the two days of the event counts as 1 EC. Read the call for registration for more information.
Please note that the deadline for applications is October 1st at 13:00 hours.
The programmed schedule starts on October 30th and ends on October 31st, with two full days
from approximately 9:00 till 17:00. The venue will be Leiden Law School (Steenschuur 25, 2311
ES Leiden). The event will be divided in two different sections.
The first day will consist of a conference in which practitioners and scholars from
around the world will share their experiences in filmmaking as a form of inclusive research,
through their collaborative, bottom-up, participatory, community-led and/or community-managed approaches. The presentation format proposed for each speaker will consist of approximately 15 minutes for a theoretical and methodological introduction, followed by 30 minutes of commented audiovisual examples, and finalized by 15 minutes of interaction with the audience. We have already approached a number of practitioners and experts with this proposal and they have expressed their interest in participating. The programmed schedule for this first day wouldbe as follows:
First day's programme
9.30 Registration and coffee
9.55 Welcome and introduction to the day.
10.00 Itandehui Jansen and Armando Bautista (Netherlands/Mexico)
Dutch-Mixtec filmmaker, Itandehui Jansen, and Mixtec screenwriter, Armando Bautista, are the creative couple behind short and full-length films, including “The Last Council”, “Alma and Esperanza” and “Yaavi”. They recently finished the feature film “In Times of Rain”, a result of the ERC-funded Leiden University project ‘Time in lntercultural Context’. The movie invites audiences to reflect on the effects of migration and globalisation on cultural heritage, and was filmed in dialogue with a Mixtec community.
11.00 Coffee break.
11.15 Tryfon Babilis - Netherlands Institute in Athens (NIA)
NIA has organized an intensive summer school on visual anthropology in collaboration with Dutch (including Leiden and VUA) and Greek universities in the last three years. The school offers an overview of current debates and research topics in visual anthropology and ethnography, as well as the experience of filming in a highly diverse and multi-layered urban setting. In 2018, a selection of short ethnographic films produced in previous schools was featured in the event “Dialogues in Archaeology” in Athens.
12.15 NEXUS 1492 trailer presentation (14 minute)
12.30 Lunch break
13.30 Chiara Digrandi - “Cine Sin Autor” Initiative (Spain/Italy)
CSA or Film Without Author is a film production theory and practice based on non-authorship: a model where all the participants in a cultural production make the decisions and where the creative and organisational authority circulate according to the needs of what is produced. Chiara is a psychologist and art therapist, who leads workshops and projects in Spain, Colombia, Peru, as well as coordinates CSA in Italy.
14.30 Coffee break.
14.45 Irina Ruiz Figueroa - ACAMPADOC (Panama)
Born in Russia, Irina graduated as a Film Producer at the International School of Film
and Television (Cuba). She started her career with historical and scientific documentaries, and has since produced several short films, independent documentaries and TV series. Since 2011, Irina is the general director of Acampadoc , a documentary film oriented Festival, Residency and Camp, which focuses on the education and production of documentaries that aim at heritage preservation and valorization.
15.45 Coffee break
16.00 David Donner - Espora Productions (Argentina/Mexico)
He is anthropologist specialized in documentary films and one of the founding members
of a transdisciplinary, media producer company based in Veracruz, Mexico, that
articulates audiovisual media and film in socio-environmental research as well as the
dissemination of science and the arts. Espora Productions creates independent projects and collaborates with civil, public and private initiatives on a wide range of social themes, ecology, culture and communication.
17.00 Closing session and drinks
The second day will consist of a practical workshop focusing on Film Planning,
Visual Development, Sound Design, and Basic Editing for a selected number of pre-registered participants (a maximum of 60). Participants will be asked to bring some of their own equipment and some will be provided by the organizers. The workshop will start with instructional talks and orientation provided by some of the guest speakers and support from the Visual Ethnography programme within the Institute of Anthropology. After this series of talks, the participants will be split in groups of two or three from different focus disciplines (Visual Ethnography, Archaeology, Heritage, or Development) who will be commissioned with the task of producing a short video clip based on a broad common theme. The specific instructions for this audiovisual project will be as follows:
- The project should try to make use of the knowledge acquired during the two days.
- Teams will have freedom to choose their specific focus within the broad theme given.
- The theme will be materiality, culture and practice in Leiden’s Wednesday food market.
- The end product will be a short video clip which should consist of a few, well planned number of takes.
- Teams will have a short time to edit their video clip, which means that they will have to make strategic choices while shooting (maybe even "editing in camera").
Second day's programme
The proposed schedule for the second day of the event is as follows:
9.00 Planning, topics and instructions session
12.00 Lunch break
13.00 Hands-on film-making
15.00 Screening and analysis of videos produced